Scottish

Mic Clark

Portrait session with Mic Clark.

Mic Clark is a Scottish singer/songwriter. We met briefly years ago when I was photographing his dad, Chris Clark, another accomplished musician. Last autumn, however, Mic got in touch to have some images taken for his own project. We shot at Basement49 and thereabouts and had the brilliant Michelle Watson on styling duties. Enjoy!

GEAR
Nikon D850
Nikkor 85mm f1.4
Profoto B10
Profoto OCF Magnum Reflector

The Road Less Travelled

Photography, artwork and music videos for The Road Less Travelled, a new album from Horse McDonald.

Horse’s new album, The Road Less Travelled, has been many years in the making. In fact, it’s her first release since 2013’s Home which was the first project I worked on with Horse. In the decade or so since, we’ve become frequent collaborators and close friends. With years of projects under our belt and the trust that came with that, Horse let me have the reigns of the visual side of the new album as well as its promo - from photography and video for the Kickstarter crowdfunding campaign, album artwork and vinyl packaging to various merchandise pieces. I even managed to have a small hand in the recording process and sang backing vocals on one of the album tracks (that’s one off the bucket list!).

The first piece of The Road Less Travelled rollout was the music video for “Leaving”, released back in 2022. In the 2 years since, Horse has completed writing and recording the album and everything was in place for a late spring 2024 launch. Late last year, we started brainstorming ideas for the album promo and for the album’s title track video. While the song “The Road Less Travelled” deals with a relationship ending, we decided to treat the title as a metaphor for Horse’s life, incorporating various iconic images from her 3-decade-plus career as well as personal snaps.

As for the album cover image itself, in late February we booked Basement49 studio and spent a few hours trying different things out. Originally, Horse wanted the album cover to echo the artwork for her 1990 debut, The Same Sky. I wasn’t overly keen on that idea - felt it was pushing the nostalgia factor a step too far - but in the end, it’s my job to bring the artist’s vision to life. The way I often tend to work, however, is to give clients what they think they want but also provide them with something they didn’t know they needed. In this case, what Horse didn’t think she needed was the very last image taken that day which, according to her, turned out to be as iconic as that 1990 shot. I can’t take full credit here though. Originally, my idea for this particular shot was to photograph Horse from the back, showcasing her distinct hairstyle from that angle, but our stylist, Michelle Watson, kept telling Horse to turn her head back to the left and that was that. When Horse received the contact sheet with the images taken on the day, that very last frame was her first choice for the album cover.

Scroll below for the videos, promo images, photos from the album launch at CCA and the album artwork.

ALBUM COVER SHOOT:
Styling & Make Up: Michelle Watson Creative

ALBUM LAUNCH AT CCA:

VINYL ARTWORK:
Limited, hand-numbered edition on red vinyl, gatefold with 12” x 12” exclusive insert

ALBUM LAUNCH BOOKLET:

Remembering Rab Noakes

Rab Noakes 1947 - 2022

It’s truly surreal and heartbreaking to write a heading like this. Only a few weeks ago I was in a recording studio with Rab where he was working on a new album with Brooks Williams. He was in great form, cracking jokes, and his voice sounded great. And yet here we are. I got a message from a friend on Friday asking whether I’d heard the news about Rab. I did not and my heart sank.

I met Rab Noakes through Jill Jackson, his close friend and a frequent collaborator, who enrolled me to take some promotional images for their upcoming tour. Rab and I got on very well, he liked the images and would get me to photograph him for his following projects with Barbara Dickson, Brooks Williams as well as solo. I loved taking pictures of him, he was one the most impeccably dressed men I’ve ever encountered and his charisma and charm were a joy to capture. While we didn’t always see eye to eye (Rab thought ABBA was nothing special and Ella Fitzgerald was overrated - gasp!) we always had a great time together and he was incredibly supportive of my work, kept recommending me to other artists and attended my exhibitions.

I leave you with some of my favourite images I took of Rab throughout the years.

He’s greatly missed.

A Decade with Horse

10 Years of working with Horse McDonald

Horse was a customer at a coffee shop I used to work at in Finnieston when I was a student in Glasgow in the mid-2000s (waaaaaay before the area was deemed the new Shoreditch). I didn't know who she was at the time, just another person I was making coffee for, and I certainly couldn't have predicted we would not only work together but also become close friends in the future.

Our first proper introduction happened during a Jill Jackson gig at the Renfrew Ferry in early 2011 (I wrote about my decade of photographing Jill here). We recognised each other from the coffee shop and briefly spoke about the possibility of working together at some point.

That opportunity came along when Horse was gearing up for the release of her album “Home” and needed some publicity shots. We spent a brilliant day with her band in Strachur in October 2012 and it marked the beginning of a fruitful working relationship which eventually turned into friendship. There have been photoshoots, countless live gigs and most recently, a music video for her banging single “Leaving”.

It was actually working with Horse that lead to me exploring video work. I was doing some behind-the-scenes shots on a music video of hers and the guys filming asked for assistance. I’d been asked by clients to do filming many times at that point but I always refused, I was too scared of the medium and worried I wouldn’t be able to translate the visual style of my photography work into moving image. Having helped on that video for Horse demystified the process for me and made me go “Oh, that’s really not that different from photography, I can do it!”.

You can see the “Leaving” video, shots from every collaboration we’ve done over the past decade (including previously unreleased images) as well some personal snaps below.

“Leaving” Music Video.

Marissa Keltie

Portfolio shoot with Marissa Keltie

I’ve known Marissa Keltie for a few years and have worked with her several times as part of The Eves duo. However, this was the first time I photographed her alone. Aside from being a talented musician, Marissa is also a commercial model and a voice-over artist and was looking to update her portfolio. I love how these images turned out and I think Marissa is pleased too cause this is what she had to say about this session:

 
Kris Kesiak is such an amazing photographer who I have the pleasure of working with regularly. He always manages to get the shots I’m looking for and always has a smile on his face, singing and dancing - shoots with him are lots of fun!
 

I’m blushing although perhaps I should cut down on the singing, I’m not that good! Aaaanyway, the shoot took place last month at Basement49, an East End studio I use a lot and you can see some images from that day below:

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist ¼ Filter
Profoto B10 + Profoto OCF Softbox 3' Octa
OCF Softgrid Octa
Reflector