Behind The Scenes

Christian Shaw and the Witches of Paisley

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Christian Shaw and the Witches of Paisley - a new opera project from NOISE.

“Christian Shaw and the Witches of Paisley” is a new opera in development from NOISE, with whom I’ve had the pleasure of working on numerous projects in the past decade (like this one for example). This time I was filming and photographing workshops for this new venture which takes as its subject matter Paisley’s textile industry and the last witch trial to take place in Scotland. It’s a fascinating story and I cannot wait to see the final production. You can learn more about the project from the video below.

GEAR
Nikon Z8
Nikkor Z 14-24mm f2.8
Nikkor Z MC 105mm f2.8
Nikkor Z 85mm f1.2
Nikkor Z 35mm f1.8
Tiffen Black Pro-mist 1/4 Filters
DJI RS 2

Diamond Days

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Photography, Video AND artwork for Brooks Williams’ recent album “Diamond Days”

I’ve worked with American singer/songwriter Brooks Williams on various projects over the years - solo shoots, collaborations with other musicians (Rab Noakes, Boo Hewerdine), as well as behind-the-scenes stuff and it’s always a pleasure. Last summer Brooks was in Wales at Martin Levan’s Red Kite Studio recording his new album “Diamond Days” and I was invited to film and photograph the sessions.

It was my first time in Wales and while the 8-hour, 3-train journey from Glasgow was rather stressful, it was worth it in the end. Set in the deepest Welsh valleys, Red Kite Studio was a dream space to photograph in and the hospitality of everyone involved made the whole experience a highlight of 2023 for me. See below for the photos, music videos as well as album artwork (I was responsible for that too).

GEAR PHOTO:
Nikon D850
Nikkor 85mm f1.4
Nikkor 35mm f1.8
Tiffen Black Pro-mist 1/4 Filters

GEAR VIDEO:
Sony A7III
Sony 35mm f1.8
Sony 85mm f1.8
DJI RS 2
Tiffen Black Pro-mist 1/4 Filters

Celtic Connections 2024

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Documenting the 2024 Celtic Connections Festival

Well, this January flew by for a change, thanks to Celtic Connections, the world-renowned folk, roots and world music festival. Glasgow Life approached me late last year asking if I’d be interested in documenting the 2024 outing of the annual winter event and I was, like, hmm, I need to think about it. I’m kidding, obviously, I jumped at the opportunity!

This year’s festival run from January 18th to February 4th, with over 300 events involving 1,200 artists across 25 of the city’s venues. I’m not superhuman and was able to photograph only a portion of that, but hopefully what you see below is a good representation of the 2024 Celtic Connections. I had a blast and am looking forward to the 2025 edition if they have me back. Enjoy a selection of my favourite shots from the past 3 weeks:

GEAR
Nikon D850 x 2
Nikkor 85mm f1.4
Nikkor 35mm f1.8
Nikkor 14-24mm f2.8
Tiffen Black Pro-mist 1/4 Filters

A Decade with Horse

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10 Years of working with Horse McDonald

Horse was a customer at a coffee shop I used to work at in Finnieston when I was a student in Glasgow in the mid-2000s (waaaaaay before the area was deemed the new Shoreditch). I didn't know who she was at the time, just another person I was making coffee for, and I certainly couldn't have predicted we would not only work together but also become close friends in the future.

Our first proper introduction happened during a Jill Jackson gig at the Renfrew Ferry in early 2011 (I wrote about my decade of photographing Jill here). We recognised each other from the coffee shop and briefly spoke about the possibility of working together at some point.

That opportunity came along when Horse was gearing up for the release of her album “Home” and needed some publicity shots. We spent a brilliant day with her band in Strachur in October 2012 and it marked the beginning of a fruitful working relationship which eventually turned into friendship. There have been photoshoots, countless live gigs and most recently, a music video for her banging single “Leaving”.

It was actually working with Horse that lead to me exploring video work. I was doing some behind-the-scenes shots on a music video of hers and the guys filming asked for assistance. I’d been asked by clients to do filming many times at that point but I always refused, I was too scared of the medium and worried I wouldn’t be able to translate the visual style of my photography work into moving image. Having helped on that video for Horse demystified the process for me and made me go “Oh, that’s really not that different from photography, I can do it!”.

You can see the “Leaving” video, shots from every collaboration we’ve done over the past decade (including previously unreleased images) as well some personal snaps below.

“Leaving” Music Video.

Jill Jackson, Yours Aye

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New album campaign for Jill Jackson

“Yours Aye” is the brand new album by Scottish singer-songwriter Jill Jackson. After several pandemic-related delays, it finally saw the light of day in early May (hitting #1 on iTunes Country Album Chart no less). I’ve written about working with Jill many, many times (you can read about our first decade together here for example) and what can I say? It’s always a pleasure and a really, really good laugh.

Jill approached me last year to do a photoshoot for the new album cover and after sending me some examples of the mood and style of images she was after (see below), I suggested shooting the whole thing on film. Since Jill loves all things analog there wasn’t any convincing needed. I have to admit though that before the session I started panicking a little - what if I mess up and we don’t get the cover shot we needed? I got back to shooting film in recent years but haven’t done many 100% analog projects for clients so to alleviate my paranoia and to cover my back I took my digital equipment along with my Nikon FM and ended up using both.

We shot in Basement49 Studio as well as outdoors in Glasgow’s Merchant City. Gulabi did a brilliant job developing and scanning the 5 rolls we went through on the day (2 color and 3 black and white) and you can see some of my favourite images from the session if you scroll below. Wonder if you can tell which ones were analog and which were digital?

My involvement in the project didn’t end there however. Earlier this year I filmed Jill’s live sessions at Gorbals Sound studios as well as an interview, all of which are being used to promote the album on various platforms. I was also recently at Cottiers where Jill officially launched the album with a brilliant live set. Have a look below to see all of that and more. Enjoy and do check out “Yours Aye”, it really is a masterclass in songwriting and production.

Jill's visual references

for the session

“Yours Aye” Album Cover:

“Yours Aye” album cover shoot.

Basement49 Studio and Merchant City in Glasgow, June 3rd 2021:

“Live Sessions”

Gorbals Sound, March 6th, 2021:

ALBUM LAUNCH

Cottiers, Soundcheck & Live Show, May 19, 2022

Behind the scenes:

GEAR

Digital:
Nikon D850 + Nikkor 85mm f1.4
Studio Lights (can’t remember what was used exactly)

Analog:
Nikon FM + Nikkor 100mm f1.8
Kodak TX 400
Kodak Portra 400
Studio Lights

Video:
Sony A7III x 2
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
Nikkor 14-24mm f2.8 + Metabones Nikon G to Sony E-mount Converter
Profoto B10 + Profoto OCF Softbox 3' Octa
Neewer CN-216 LED Light x 2
DJI RS 2
Edited in FCPX

Live:
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Nikon D850 + Nikkor 14-24mm f2.8 / Nikkor 24-70mm f2.8

BTS:
FujiFilm x100v
iPhone 11 Pro