Rab Noakes

Remembering Rab Noakes

Rab Noakes 1947 - 2022

It’s truly surreal and heartbreaking to write a heading like this. Only a few weeks ago I was in a recording studio with Rab where he was working on a new album with Brooks Williams. He was in great form, cracking jokes, and his voice sounded great. And yet here we are. I got a message from a friend on Friday asking whether I’d heard the news about Rab. I did not and my heart sank.

I met Rab Noakes through Jill Jackson, his close friend and a frequent collaborator, who enrolled me to take some promotional images for their upcoming tour. Rab and I got on very well, he liked the images and would get me to photograph him for his following projects with Barbara Dickson, Brooks Williams as well as solo. I loved taking pictures of him, he was one the most impeccably dressed men I’ve ever encountered and his charisma and charm were a joy to capture. While we didn’t always see eye to eye (Rab thought ABBA was nothing special and Ella Fitzgerald was overrated - gasp!) we always had a great time together and he was incredibly supportive of my work, kept recommending me to other artists and attended my exhibitions.

I leave you with some of my favourite images I took of Rab throughout the years.

He’s greatly missed.

Jill Jackson, Yours Aye

New album campaign for Jill Jackson

“Yours Aye” is the brand new album by Scottish singer-songwriter Jill Jackson. After several pandemic-related delays, it finally saw the light of day in early May (hitting #1 on iTunes Country Album Chart no less). I’ve written about working with Jill many, many times (you can read about our first decade together here for example) and what can I say? It’s always a pleasure and a really, really good laugh.

Jill approached me last year to do a photoshoot for the new album cover and after sending me some examples of the mood and style of images she was after (see below), I suggested shooting the whole thing on film. Since Jill loves all things analog there wasn’t any convincing needed. I have to admit though that before the session I started panicking a little - what if I mess up and we don’t get the cover shot we needed? I got back to shooting film in recent years but haven’t done many 100% analog projects for clients so to alleviate my paranoia and to cover my back I took my digital equipment along with my Nikon FM and ended up using both.

We shot in Basement49 Studio as well as outdoors in Glasgow’s Merchant City. Gulabi did a brilliant job developing and scanning the 5 rolls we went through on the day (2 color and 3 black and white) and you can see some of my favourite images from the session if you scroll below. Wonder if you can tell which ones were analog and which were digital?

My involvement in the project didn’t end there however. Earlier this year I filmed Jill’s live sessions at Gorbals Sound studios as well as an interview, all of which are being used to promote the album on various platforms. I was also recently at Cottiers where Jill officially launched the album with a brilliant live set. Have a look below to see all of that and more. Enjoy and do check out “Yours Aye”, it really is a masterclass in songwriting and production.

Jill's visual references

for the session

“Yours Aye” Album Cover:

“Yours Aye” album cover shoot.

Basement49 Studio and Merchant City in Glasgow, June 3rd 2021:


“Live Sessions”

Gorbals Sound, March 6th, 2021:


ALBUM LAUNCH

Cottiers, Soundcheck & Live Show, May 19, 2022

Behind the scenes:

GEAR

Digital:
Nikon D850 + Nikkor 85mm f1.4
Studio Lights (can’t remember what was used exactly)

Analog:
Nikon FM + Nikkor 100mm f1.8
Kodak TX 400
Kodak Portra 400
Studio Lights

Video:
Sony A7III x 2
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
Nikkor 14-24mm f2.8 + Metabones Nikon G to Sony E-mount Converter
Profoto B10 + Profoto OCF Softbox 3' Octa
Neewer CN-216 LED Light x 2
DJI RS 2
Edited in FCPX

Live:
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Nikon D850 + Nikkor 14-24mm f2.8 / Nikkor 24-70mm f2.8

BTS:
FujiFilm x100v
iPhone 11 Pro

Best of 2021

2021 was the year where everything went back to normal. Oh, no, hold on… Yeah, perhaps not so much. I shouldn’t complain really cause, all in all, it was a full and interesting year for me work-wise - I started doing more and more video work (even got a drone despite my earlier proclamations of never going near one), got to collaborate with some interesting people and lined up a few exciting projects for 2022 (Covid have mercy). Still, have to admit, I’m feeling pretty done in by 2021. I look at, say, an image of Kathleen MacInnes taken in June (see below), and feel like years - not merely months - have passed since that session. Is it just me? Anyway, here are 12 of my personal favourites taken in the past 12 months. Hope you like them too and I hope 2022 is kind to you.

Oh, and in May, I had an absolute blast in Brighton filming this music video for Allan Jay. You don’t know what chaos can look like until you’ve got 14 drag queens, 4 dancers and 2 dogs to deal with on set!


And here’s music I enjoyed this past year:

ALBUMS OF 2021
Prioritise Pleasure Self Esteem
Magic Still Exists Agnes
Stand For Myself Yola
Deacon serpentwithfeet
Crooked Machine Róisín Murphy
Pink Noise Laura Mvula
star-crossed Kacey Musgraves
We Are Jon Batiste
Collapsed in Sunbeams Arlo Parks
30 Adele

SONGS OF 2021
I Do This All The Time Self Esteem
24 Hours Agnes
Hot N Heavy Jessie Ware
breadwinner Kacey Musgraves
Dancing Away In Tears Yola
Got Me Laura Mvula
Right On Time Brandi Carlile
Fellowship serpentwithfeet
Too Good Arlo Parks
Love and Hate in a Different Time Gabriels

A Decade with Jill Jackson

In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

Jill Jackson's Xmas Show

Jill Jackson put on a very special festive show at Cottiers Theatre in Glasgow’s West End this past December. The night was called “A Very Country Christmas” and featured Jill’s solo material (old and brand new) as well some holiday season classics. There were also a few special guests, namely Kathleen MacInnes, Rab Noakes and Soul Nation Choir. It was a brilliant night, truly, and it was a pleasure to capture this event for Jill.

Behind the Scenes/Soundcheck:

A VERY COUNTRY CHRISTMAS:

GEAR
Nikon D4
Nikon D850
Nikkor 85mm f1.4
Nikkor 14-24mm f2.8
Nikkor 24-70mm f2.8