Michelle Watson

Cara Rose

Portrait session with singer/songwriter Cara Rose

A friend of mine took me to see Cara Rose live at Cottiers in December 2023. She’s a brilliant young singer/songwriter, but I didn’t know much about her or her music. The moment she came on stage, however, I thought I needed to work with her at some point. We chatted briefly after the gig (which was fantastic, by the way) and reconnected in early 2024 to talk about a possible collaboration. Cara loves analog photography, so I thought it would be a perfect opportunity to do a fully analog shoot, something I don’t do often these days. We set a date in February, had a studio, assembled a great team of people, and… well, I fucked it. I messed up the shutter speed settings on my Nikon FM, and every single frame came out half black. It’s quite embarrassing for someone who’s been shooting film long before digital was even an option. Rookie mistake, but what can you do? I had to own up to it. Luckily, everyone involved suggested a reshoot, and we managed to get together again a couple of months later. And yes, we were still determined to use film, although there might be one or two digital shots that sneaked in below - can you tell which ones are which?

Styling & Make Up: Michelle Watson Creative
Assistance: Jock Thomson
Studio: Basement49

GEAR
Nikon D850 + Nikkor 85mm f1.4
Nikon Z8 + Nikkor Z MC 105mm f2.8
Nikon FM + Nikkor 100mm f1.8
Kodak Portra 400 + Kodak 400 TX
Profoto A10
Profoto B10
Profoto OCF Magnum Reflector
Profoto OCF Softbox 3' Octa
Umbrellas

Mic Clark

Portrait session with Mic Clark.

Mic Clark is a Scottish singer/songwriter. We met briefly years ago when I was photographing his dad, Chris Clark, another accomplished musician. Last autumn, however, Mic got in touch to have some images taken for his own project. We shot at Basement49 and thereabouts and had the brilliant Michelle Watson on styling duties. Enjoy!

GEAR
Nikon D850
Nikkor 85mm f1.4
Profoto B10
Profoto OCF Magnum Reflector

The Road Less Travelled

Photography, artwork and music videos for The Road Less Travelled, a new album from Horse McDonald.

Horse’s new album, The Road Less Travelled, has been many years in the making. In fact, it’s her first release since 2013’s Home which was the first project I worked on with Horse. In the decade or so since, we’ve become frequent collaborators and close friends. With years of projects under our belt and the trust that came with that, Horse let me have the reigns of the visual side of the new album as well as its promo - from photography and video for the Kickstarter crowdfunding campaign, album artwork and vinyl packaging to various merchandise pieces. I even managed to have a small hand in the recording process and sang backing vocals on one of the album tracks (that’s one off the bucket list!).

The first piece of The Road Less Travelled rollout was the music video for “Leaving”, released back in 2022. In the 2 years since, Horse has completed writing and recording the album and everything was in place for a late spring 2024 launch. Late last year, we started brainstorming ideas for the album promo and for the album’s title track video. While the song “The Road Less Travelled” deals with a relationship ending, we decided to treat the title as a metaphor for Horse’s life, incorporating various iconic images from her 3-decade-plus career as well as personal snaps.

As for the album cover image itself, in late February we booked Basement49 studio and spent a few hours trying different things out. Originally, Horse wanted the album cover to echo the artwork for her 1990 debut, The Same Sky. I wasn’t overly keen on that idea - felt it was pushing the nostalgia factor a step too far - but in the end, it’s my job to bring the artist’s vision to life. The way I often tend to work, however, is to give clients what they think they want but also provide them with something they didn’t know they needed. In this case, what Horse didn’t think she needed was the very last image taken that day which, according to her, turned out to be as iconic as that 1990 shot. I can’t take full credit here though. Originally, my idea for this particular shot was to photograph Horse from the back, showcasing her distinct hairstyle from that angle, but our stylist, Michelle Watson, kept telling Horse to turn her head back to the left and that was that. When Horse received the contact sheet with the images taken on the day, that very last frame was her first choice for the album cover.

Scroll below for the videos, promo images, photos from the album launch at CCA and the album artwork.

ALBUM COVER SHOOT:
Styling & Make Up: Michelle Watson Creative

ALBUM LAUNCH AT CCA:

VINYL ARTWORK:
Limited, hand-numbered edition on red vinyl, gatefold with 12” x 12” exclusive insert

ALBUM LAUNCH BOOKLET:

Fashion Editorial with Barbra

FASHION EDITORIAL WITH BARBRA

I’ve known designer Barbara for a few years now. We’ve collaborated on several occasions (here for example) and became friends along the way. Earlier this year I decided to carve out a day every month for personal, creative work where I invite various people to collaborate and take some photos just for fun. It allows me to experiment, and try things I don’t get to do with paid clients. It also gets me excited about photography again. Barbra’s been on the list of prospective collaborations for this and lucky for me she was up for having some photos taken. We shot a lot with hard light that day, something I’ve always been scared of but I am scared of it no more thanks to how this shoot turned out. We were going for retro vibes - some Old Hollywood, some 1980s. Have a look below.

Hair, Make Up & Styling: Michelle Watson
Studio: Basement49

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Profoto A1 x 2
Profoto B10
120cm Octabox
Softbox 3' Octa
Softgrid Octa
Reflector

Emma Dunlop

Editorial shoot with singer songwriter Emma Dunlop

I met Emma Dunlop when she came to the opening of my exhibition Women At COP26 last autumn but actually, as it turned out, I photographed her many years ago as part of The Kennedy Cupcakes dance troupe at a corporate event in Glasgow. We chatted very briefly at the launch and I remember thinking it would be great to photograph her at some point. We managed to make it happen last month when we spent a day in a studio with a small, yet brilliant team, trying different things and just having fun. We wanted a lot of shadows, shapes, androgyny, oversized suits and playing with the ideas of masculine and feminine. I never shoot with hard light, like ever, so this was something new for me to try as most set ups we prepared for this session were all about hard lighting. See our initial references below as well as a few of the final images.

Hair, Make Up & Styling: Michelle Watson
Assistance: Jack Thomson
Studio: Basement49

Visual References

Behind the Scenes (taken by Jack Thomson):

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Profoto B10
Profoto A1
Profoto OCF Softbox 3' Octa

Profoto OCF Beauty Dish White 2'

Neewer 120cm Octabox
Reflector