Concert

The Road Less Travelled

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Photography, artwork and music videos for The Road Less Travelled, a new album from Horse McDonald.

Horse’s new album, The Road Less Travelled, has been many years in the making. In fact, it’s her first release since 2013’s Home which was the first project I worked on with Horse. In the decade or so since, we’ve become frequent collaborators and close friends. With years of projects under our belt and the trust that came with that, Horse let me have the reigns of the visual side of the new album as well as its promo - from photography and video for the Kickstarter crowdfunding campaign, album artwork and vinyl packaging to various merchandise pieces. I even managed to have a small hand in the recording process and sang backing vocals on one of the album tracks (that’s one off the bucket list!).

The first piece of The Road Less Travelled rollout was the music video for “Leaving”, released back in 2022. In the 2 years since, Horse has completed writing and recording the album and everything was in place for a late spring 2024 launch. Late last year, we started brainstorming ideas for the album promo and for the album’s title track video. While the song “The Road Less Travelled” deals with a relationship ending, we decided to treat the title as a metaphor for Horse’s life, incorporating various iconic images from her 3-decade-plus career as well as personal snaps.

As for the album cover image itself, in late February we booked Basement49 studio and spent a few hours trying different things out. Originally, Horse wanted the album cover to echo the artwork for her 1990 debut, The Same Sky. I wasn’t overly keen on that idea - felt it was pushing the nostalgia factor a step too far - but in the end, it’s my job to bring the artist’s vision to life. The way I often tend to work, however, is to give clients what they think they want but also provide them with something they didn’t know they needed. In this case, what Horse didn’t think she needed was the very last image taken that day which, according to her, turned out to be as iconic as that 1990 shot. I can’t take full credit here though. Originally, my idea for this particular shot was to photograph Horse from the back, showcasing her distinct hairstyle from that angle, but our stylist, Michelle Watson, kept telling Horse to turn her head back to the left and that was that. When Horse received the contact sheet with the images taken on the day, that very last frame was her first choice for the album cover.

Scroll below for the videos, promo images, photos from the album launch at CCA and the album artwork.

ALBUM COVER SHOOT:
Styling & Make Up: Michelle Watson Creative

ALBUM LAUNCH AT CCA:

VINYL ARTWORK:
Limited, hand-numbered edition on red vinyl, gatefold with 12” x 12” exclusive insert

ALBUM LAUNCH BOOKLET:

Celtic Connections 2024

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Documenting the 2024 Celtic Connections Festival

Well, this January flew by for a change, thanks to Celtic Connections, the world-renowned folk, roots and world music festival. Glasgow Life approached me late last year asking if I’d be interested in documenting the 2024 outing of the annual winter event and I was, like, hmm, I need to think about it. I’m kidding, obviously, I jumped at the opportunity!

This year’s festival run from January 18th to February 4th, with over 300 events involving 1,200 artists across 25 of the city’s venues. I’m not superhuman and was able to photograph only a portion of that, but hopefully what you see below is a good representation of the 2024 Celtic Connections. I had a blast and am looking forward to the 2025 edition if they have me back. Enjoy a selection of my favourite shots from the past 3 weeks:

GEAR
Nikon D850 x 2
Nikkor 85mm f1.4
Nikkor 35mm f1.8
Nikkor 14-24mm f2.8
Tiffen Black Pro-mist 1/4 Filters

A Decade with Jill Jackson

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In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

The Same Sky 30 Live

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I’ve now worked with Horse for almost a decade and have written about our various collaborations a few times (here, here and here for example). Over the years we became friends and being in her company, whether informally or professionally, is always a joy so when I’m asked to join her on yet another project I say yes without asking too many questions. This time it was to photograph a very special gig at Edinburgh’s Queen’s Hall last November celebrating 30 years of “The Same Sky”, Horse’s debut album. It was a brilliant, emotional show - from a haunting version of “Careful” backed by a 3-peace string section to a full on disco blast of “Could It Be Magic”, it was a night to remember. Lucky for those who missed it, the evening was filmed for a future DVD release (which I’m about to start editing - not a daunting task, at all…). In the meantime, some images from the night:

Behind the Scenes / Soundcheck:

The Same Sky 30 Live:

GEAR
Nikon D4
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Nikkor 24-70mm f2.8

Jill Jackson's Xmas Show

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Jill Jackson put on a very special festive show at Cottiers Theatre in Glasgow’s West End this past December. The night was called “A Very Country Christmas” and featured Jill’s solo material (old and brand new) as well some holiday season classics. There were also a few special guests, namely Kathleen MacInnes, Rab Noakes and Soul Nation Choir. It was a brilliant night, truly, and it was a pleasure to capture this event for Jill.

Behind the Scenes/Soundcheck:

A VERY COUNTRY CHRISTMAS:

GEAR
Nikon D4
Nikon D850
Nikkor 85mm f1.4
Nikkor 14-24mm f2.8
Nikkor 24-70mm f2.8