Eunice Olumide

Eunice Olumide is a supermodel, broadcaster, curator and an MBE recipient (for her contribution to Arts, Broadcasting and Charity work). I had the pleasure of photographing her for a couple of campaigns by Nu Blvck earlier this year and I’m finally able to share some of these images (see below). Eunice has a new book out called "How To Get Into Fashion” and you can view (and purchase) Nu Blvck’s jewellery collection here.

Make Up: Jak Morgan
Styling: Laura Macintosh
Tote Bag Design: Alice Dansey-Wright
Jewellery: Ruth Leslie

Eunice & Me

Soul Nation Choir

Soul Nation Choir, run by the incredibly talented Chris Judge, is a Scottish rock choir that blends pop, soul and gospel in their performances. The best of the best vocal talents have gone through its ranks: X-Factor contestants, Bafta winners, West End stars - you name it. I've been photographing them since the choir's inception some 5 years ago: from candid, behind-the-scenes moments to images taken on music video shoots and during numerous live appearances. It's always a joy to work with them, I've made some friends along the way and I thought it was about time I compiled and shared some of my favourite images taken during these past 5 years. Enjoy and catch them live if you get a chance - they'll leave you smiling for days.

Caezar

Caezar are Joe Donnelly and JJ Gilmour (former members of Scottish band The Silencers). Their debut album "Time" has just been released and I was lucky to work with them on promotional images as well as a music video for the album's second single "Love Is A Reason". The photoshoot took place on a rainy May day last year in Glasgow (huge thanks to Sarah Kesson for assistance). We wanted an urban, gritty feel to the images and Glasgow has plenty to offer in that respect.

The video was a different bag altogether. The band's brief was "black and white, weird and without us in it". I have to admit, I panicked a little - I had done 2 music videos by that point, both pretty much performance-based and I'd never written a treatment for one before. In fact, I almost said no to the project but I eventually had a moment of epiphany, got in touch with the amazing Frances Thorburn asking if she'd be interested in being involved. She said yes, as did Michelle Watson from Kitsch Me Vintage who provided custom headpieces, vintage dress and was in charge of hair and makeup on the day. Fran's spine-tingling performance is what truly makes this video and I can't thank her enough for agreeing to take part in it. We filmed most of it in my living room and in a back lane in Glasgow's Charing X area. There was some additional filming done all over the city centre from Fran's car on one very, very snowy night earlier this year. The visuals of Anton Corbijn were our reference point for both, the photography and the video. Check it all out below and if you'd like to catch the band live you're in luck Caezar are are playing Òran Mór in Glasgow on July 27th (you can get tickets here).

Caezar's debut album cover featuring a still from the video.

Rory Hutton

I love Rory Hutton's designs - I own one of his beautiful bow ties and I'm planning on expanding that collection. There are exciting things happening for him and we've got some projects in the pipeline together. In the meantime, however, you can have a look at some of the portraits of Rory I took last summer. 

Horse - Careful

Horse McDonald is a legend and a recent recipient of DIVA Magazine's Hall of Fame Award. Working with Horse is always a pleasure and we've done several different projects together over the years but the publicity images for her critically-acclaimed one-woman play "Careful" are definitely among my favourites. Shot on a cold winter day at Britannia Panopticon, the world's oldest surviving music hall, it was a very low key affair - just us, lovely Marta on makeup duties and a reflector. The play, written by Lynn Ferguson and directed by Maggie Kinloch, is a brutally honest, and at times painful story of identity struggle and self-acceptance and our goal for the promo images was to capture the intensity and intimacy of the performance. Peter Lindbergh, as well as old Hollywood photography from the 1940s, were our points of reference:

And here are some photos taken during the play's run in Glasgow's Tron Theatre: