Music Video

A Decade with Horse

10 Years of working with Horse McDonald

Horse was a customer at a coffee shop I used to work at in Finnieston when I was a student in Glasgow in the mid-2000s (waaaaaay before the area was deemed the new Shoreditch). I didn't know who she was at the time, just another person I was making coffee for, and I certainly couldn't have predicted we would not only work together but also become close friends in the future.

Our first proper introduction happened during a Jill Jackson gig at the Renfrew Ferry in early 2011 (I wrote about my decade of photographing Jill here). We recognised each other from the coffee shop and briefly spoke about the possibility of working together at some point.

That opportunity came along when Horse was gearing up for the release of her album “Home” and needed some publicity shots. We spent a brilliant day with her band in Strachur in October 2012 and it marked the beginning of a fruitful working relationship which eventually turned into friendship. There have been photoshoots, countless live gigs and most recently, a music video for her banging single “Leaving”.

It was actually working with Horse that lead to me exploring video work. I was doing some behind-the-scenes shots on a music video of hers and the guys filming asked for assistance. I’d been asked by clients to do filming many times at that point but I always refused, I was too scared of the medium and worried I wouldn’t be able to translate the visual style of my photography work into moving image. Having helped on that video for Horse demystified the process for me and made me go “Oh, that’s really not that different from photography, I can do it!”.

You can see the “Leaving” video, shots from every collaboration we’ve done over the past decade (including previously unreleased images) as well some personal snaps below.

“Leaving” Music Video.

Best of 2021

2021 was the year where everything went back to normal. Oh, no, hold on… Yeah, perhaps not so much. I shouldn’t complain really cause, all in all, it was a full and interesting year for me work-wise - I started doing more and more video work (even got a drone despite my earlier proclamations of never going near one), got to collaborate with some interesting people and lined up a few exciting projects for 2022 (Covid have mercy). Still, have to admit, I’m feeling pretty done in by 2021. I look at, say, an image of Kathleen MacInnes taken in June (see below), and feel like years - not merely months - have passed since that session. Is it just me? Anyway, here are 12 of my personal favourites taken in the past 12 months. Hope you like them too and I hope 2022 is kind to you.

Oh, and in May, I had an absolute blast in Brighton filming this music video for Allan Jay. You don’t know what chaos can look like until you’ve got 14 drag queens, 4 dancers and 2 dogs to deal with on set!


And here’s music I enjoyed this past year:

ALBUMS OF 2021
Prioritise Pleasure Self Esteem
Magic Still Exists Agnes
Stand For Myself Yola
Deacon serpentwithfeet
Crooked Machine Róisín Murphy
Pink Noise Laura Mvula
star-crossed Kacey Musgraves
We Are Jon Batiste
Collapsed in Sunbeams Arlo Parks
30 Adele

SONGS OF 2021
I Do This All The Time Self Esteem
24 Hours Agnes
Hot N Heavy Jessie Ware
breadwinner Kacey Musgraves
Dancing Away In Tears Yola
Got Me Laura Mvula
Right On Time Brandi Carlile
Fellowship serpentwithfeet
Too Good Arlo Parks
Love and Hate in a Different Time Gabriels

Cheerio 2020

Well, 2020 was a doozy, wasn't it? I wrote a bit about my experience during the first lockdown before - remember that? We thought, or perhaps just hoped, that we were out of the woods by that point and life would merrily if slowly, come back to normal. I mean, LOL! At this point, I feel like that old lady in the Titanic wearily announcing “It’s been 84 years…”.

While my first lockdown was filled with making music, reading books about music and taking online music courses, the autumn one was filled with fanatic cooking and baking. Nigella Lawson has always been a huge inspiration for me (I’m pretty much convinced by this point that we’re the same person) but Lockdown #2 took it to new heights. I couldn’t tell whether these were the signs of me transforming into a fully-fledged “domestic goddess” in my 40s, or that a nervous breakdown was imminent. Still, nobody in my flat was complaining, obviously, and being in the kitchen really helped my overall mental health and became an outlet for creativity. Post-Christmas restrictions, however, just plunged me into a state of numbness. Needing an escape, and not being able to plan a physical one, I’ve been reading about Old Hollywood and watching movies from that era (Gilda, Sunset Boulevard, Jezebel, etc). There is something comforting about getting lost in that world. I also found a brilliant YouTube channel with video essays diving into the history of women in Hollywood through the prism of Academy Awards. Not that I’m obsessive about things or anything.

I do miss working and being creative but have been trying not to think about it or look too far ahead. 2020 has been a challenge and an eye-opening experience for everyone (I didn’t realise I had so many epidemiologists on my social media for example) but it’s over now and despite it being generally shit I still managed to take some photos I’m happy with and here’s a selection of them:

And I loved working with Tam Dean Burn on this music video for Louise Rutkowski:

ALBUMS OF 2020
Róisín Machine Róisín Murphy
What’s Your Pleasure? Jessie Ware
Gaslighter The Chicks
Future Nostalgia Dua Lipa
Women In Music Pt. III HAIM
That's How Rumors… Margo Price
Jaguar Victoria Monét

SONGS OF 2020
Murphy’s Law Róisín Machine
No Time To Die Billie Eilish
Levitating Dua Lipa
Ooh La La Jessie Ware
Midnight Sky Miley Cyrus
Gaslighter The Chicks

A Decade with Jill Jackson

In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

Roseanne Reid

If you haven’t heard about Roseanne Reid so far that will probably change soon. She’s a a talented singer/sonwgwriter whose beautiful debut album “Trails” has just been released and there is a bit of a buzz about her in the Americana circles (having Steve Earle as your mentor and guest vocalist on the record doesn’t hurt the matter). I’ve worked with Roseanne on three promo videos for the album as well as some photography and you can check them out below:

“I Love Her So”
Filmed late November last year in Tentsmuir Forest on the East coast and features illustrations by Iona Lee as well as fan-supplied photographs:

“Amy”
A simpler affair shot during Roseanne’s performance and sound check at Saint Luke’s in Glasgow where she was the support slot for Blue Rose Code in March this year:

“Sweet Amy”
Filmed in Edinburgh late March:

In between takes for the “Sweet Annie” video I also managed to shoot a roll of film and take some portrait images of Roseanne:

Behind The Scenes:

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GEAR
Video filmed with Sony A7III + Sony 35mm f1.8
Nikkor 85mm f1.4
Metabones Nikon G to Sony NEX E-mount Converter
Zhiyun Crane 2 Gimbal
Edited in FCPX

Photography: Nikon FM + Nikkor-S 50mm f1.4
Kodak 400TX