Kodak Portra 400

A Decade with Horse

10 Years of working with Horse McDonald

Horse was a customer at a coffee shop I used to work at in Finnieston when I was a student in Glasgow in the mid-2000s (waaaaaay before the area was deemed the new Shoreditch). I didn't know who she was at the time, just another person I was making coffee for, and I certainly couldn't have predicted we would not only work together but also become close friends in the future.

Our first proper introduction happened during a Jill Jackson gig at the Renfrew Ferry in early 2011 (I wrote about my decade of photographing Jill here). We recognised each other from the coffee shop and briefly spoke about the possibility of working together at some point.

That opportunity came along when Horse was gearing up for the release of her album “Home” and needed some publicity shots. We spent a brilliant day with her band in Strachur in October 2012 and it marked the beginning of a fruitful working relationship which eventually turned into friendship. There have been photoshoots, countless live gigs and most recently, a music video for her banging single “Leaving”.

It was actually working with Horse that lead to me exploring video work. I was doing some behind-the-scenes shots on a music video of hers and the guys filming asked for assistance. I’d been asked by clients to do filming many times at that point but I always refused, I was too scared of the medium and worried I wouldn’t be able to translate the visual style of my photography work into moving image. Having helped on that video for Horse demystified the process for me and made me go “Oh, that’s really not that different from photography, I can do it!”.

You can see the “Leaving” video, shots from every collaboration we’ve done over the past decade (including previously unreleased images) as well some personal snaps below.

“Leaving” Music Video.

Jill Jackson, Yours Aye

New album campaign for Jill Jackson

“Yours Aye” is the brand new album by Scottish singer-songwriter Jill Jackson. After several pandemic-related delays, it finally saw the light of day in early May (hitting #1 on iTunes Country Album Chart no less). I’ve written about working with Jill many, many times (you can read about our first decade together here for example) and what can I say? It’s always a pleasure and a really, really good laugh.

Jill approached me last year to do a photoshoot for the new album cover and after sending me some examples of the mood and style of images she was after (see below), I suggested shooting the whole thing on film. Since Jill loves all things analog there wasn’t any convincing needed. I have to admit though that before the session I started panicking a little - what if I mess up and we don’t get the cover shot we needed? I got back to shooting film in recent years but haven’t done many 100% analog projects for clients so to alleviate my paranoia and to cover my back I took my digital equipment along with my Nikon FM and ended up using both.

We shot in Basement49 Studio as well as outdoors in Glasgow’s Merchant City. Gulabi did a brilliant job developing and scanning the 5 rolls we went through on the day (2 color and 3 black and white) and you can see some of my favourite images from the session if you scroll below. Wonder if you can tell which ones were analog and which were digital?

My involvement in the project didn’t end there however. Earlier this year I filmed Jill’s live sessions at Gorbals Sound studios as well as an interview, all of which are being used to promote the album on various platforms. I was also recently at Cottiers where Jill officially launched the album with a brilliant live set. Have a look below to see all of that and more. Enjoy and do check out “Yours Aye”, it really is a masterclass in songwriting and production.

Jill's visual references

for the session

“Yours Aye” Album Cover:

“Yours Aye” album cover shoot.

Basement49 Studio and Merchant City in Glasgow, June 3rd 2021:


“Live Sessions”

Gorbals Sound, March 6th, 2021:


ALBUM LAUNCH

Cottiers, Soundcheck & Live Show, May 19, 2022

Behind the scenes:

GEAR

Digital:
Nikon D850 + Nikkor 85mm f1.4
Studio Lights (can’t remember what was used exactly)

Analog:
Nikon FM + Nikkor 100mm f1.8
Kodak TX 400
Kodak Portra 400
Studio Lights

Video:
Sony A7III x 2
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
Nikkor 14-24mm f2.8 + Metabones Nikon G to Sony E-mount Converter
Profoto B10 + Profoto OCF Softbox 3' Octa
Neewer CN-216 LED Light x 2
DJI RS 2
Edited in FCPX

Live:
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Nikon D850 + Nikkor 14-24mm f2.8 / Nikkor 24-70mm f2.8

BTS:
FujiFilm x100v
iPhone 11 Pro

Horse on St. Cyrus Beach

I wrote about my gradual return to shooting film a while back and I mentioned having some 100% analog projects in the pipeline. I can finally share one of them with you. Horse and I have been talking about doing a shoot where it’s just us, camera and the beach for quite some time and earlier this year we drove up to the beautiful St. Cyrus Beach on the East coast of Scotland where we spent a couple of hours walking, talking and taking pictures. We shot 3 rolls of film (2 black and white and a colour one) and I really enjoyed working like that again. It reminded me of the very first shoots I did as a teenager where there was no pressure, no assistants, no stylists, no crazy light equipment - just a camera and the person in front of it. Enjoy!

Behind the scenes:

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GEAR
Nikon FM + 50mm f1.4
Kodak 400 TX
Kodak Portra 400