Horse McDonald

A Decade with Horse

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10 Years of working with Horse McDonald

Horse was a customer at a coffee shop I used to work at in Finnieston when I was a student in Glasgow in the mid-2000s (waaaaaay before the area was deemed the new Shoreditch). I didn't know who she was at the time, just another person I was making coffee for, and I certainly couldn't have predicted we would not only work together but also become close friends in the future.

Our first proper introduction happened during a Jill Jackson gig at the Renfrew Ferry in early 2011 (I wrote about my decade of photographing Jill here). We recognised each other from the coffee shop and briefly spoke about the possibility of working together at some point.

That opportunity came along when Horse was gearing up for the release of her album “Home” and needed some publicity shots. We spent a brilliant day with her band in Strachur in October 2012 and it marked the beginning of a fruitful working relationship which eventually turned into friendship. There have been photoshoots, countless live gigs and most recently, a music video for her banging single “Leaving”.

It was actually working with Horse that lead to me exploring video work. I was doing some behind-the-scenes shots on a music video of hers and the guys filming asked for assistance. I’d been asked by clients to do filming many times at that point but I always refused, I was too scared of the medium and worried I wouldn’t be able to translate the visual style of my photography work into moving image. Having helped on that video for Horse demystified the process for me and made me go “Oh, that’s really not that different from photography, I can do it!”.

You can see the “Leaving” video, shots from every collaboration we’ve done over the past decade (including previously unreleased images) as well some personal snaps below.

“Leaving” Music Video.

Behind The Scenes with Horse

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“Leaving” is the new single from Horse, it premiered earlier this month and I had the pleasure of working on the music video to accompany the song.

Autumn this year will mark 10 years since Horse and I started working together (yes, there will be a blog about that too down the line), we’ve done a variety of projects over the decade but this was the first time doing a music video together.

Loosely inspired by Joan of Arc and filmed at the National Theatre of Scotland last December, it was a very low-key affair largely due to Covid-19 restrictions. We got the absolutely phenomenal Michelle Watson to style the shoot and do the make up. She also created the custom crowns Horse is seen wearing throughout the clip, while the mesh and armour bits were kindly provided by the National Theatre of Scotland’s costume department (thank you Aileen!).

I can’t lie, Horse is a legend and I was really nervous about doing her and the new song justice. I also had the idea of doing something a little bit different for her and showing Horse in a way that she’s never been seen before. Luckily, over the years of working together we became very good friends, she trusted me and gave her all on the shoot. Neither the armour nor the sword was light, and I had her running about, swinging the damn thing and lip-syncing for hours on end.

I’m pleased to say we’re still friends and Horse thinks the effort was worth it. I hope you think so too - have a look at the final video below followed by a few behind the scenes snaps taken on the day:

GEAR / BTS PHOTOS
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
FujiFilm x100v

GEAR / VIDEO
Sony A7III
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
DJI RS 2 Gimbal
Profoto B10 + Profoto OCF Beauty Dish 2'
Neewer CN-216 LED Light x 2
Reflector
Tripod
Video edited in FCPX

Best of 2021

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2021 was the year where everything went back to normal. Oh, no, hold on… Yeah, perhaps not so much. I shouldn’t complain really cause, all in all, it was a full and interesting year for me work-wise - I started doing more and more video work (even got a drone despite my earlier proclamations of never going near one), got to collaborate with some interesting people and lined up a few exciting projects for 2022 (Covid have mercy). Still, have to admit, I’m feeling pretty done in by 2021. I look at, say, an image of Kathleen MacInnes taken in June (see below), and feel like years - not merely months - have passed since that session. Is it just me? Anyway, here are 12 of my personal favourites taken in the past 12 months. Hope you like them too and I hope 2022 is kind to you.

Oh, and in May, I had an absolute blast in Brighton filming this music video for Allan Jay. You don’t know what chaos can look like until you’ve got 14 drag queens, 4 dancers and 2 dogs to deal with on set!

And here’s music I enjoyed this past year:

ALBUMS OF 2021
Prioritise Pleasure Self Esteem
Magic Still Exists Agnes
Stand For Myself Yola
Deacon serpentwithfeet
Crooked Machine Róisín Murphy
Pink Noise Laura Mvula
star-crossed Kacey Musgraves
We Are Jon Batiste
Collapsed in Sunbeams Arlo Parks
30 Adele

SONGS OF 2021
I Do This All The Time Self Esteem
24 Hours Agnes
Hot N Heavy Jessie Ware
breadwinner Kacey Musgraves
Dancing Away In Tears Yola
Got Me Laura Mvula
Right On Time Brandi Carlile
Fellowship serpentwithfeet
Too Good Arlo Parks
Love and Hate in a Different Time Gabriels

Roxana Halls

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I met London-based artist Roxana Halls earlier this year when she travelled up to Scotland to see her portrait of Horse Mcdonald, acquired last year by the Scottish National Portrait Gallery, about to go on public display for the first time. I was there to document the day and the moment I saw Roxana, I thought she’d be a fantastic person to photograph. The opportunity came along when I was in London a few weeks ago and despite rather hectic schedules, we managed to carve out a bit of time for me to visit Roxana’s studio and take some photos. There wasn’t much time, I was probably there about 20 minutes, but Roxana was a great sport and I’m pleased with how this sitting turned out. Have a look:

GEAR
Nikon D850
Nikkor 85mm f1.4 + Tiffen Black Pro-mist 1/4 Filter
FujiFilm x100v

FujiFilm x100v

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Thoughts on FujiFilm X100v Camera

My name is Kris and I am a lazy photographer. What I mean by that is that I’ve never been the type of photographer who carries a camera everywhere they go, taking pictures of anything and everything. I’ve always admired such people, I’m just not one of them. I value comfort and practicality above all else. See? Lazy. When I started taking photos, it was with a Zenit 11 and that camera is built like a Soviet tank, not exactly a “throw-in-your-pocket” type of equipment (although it could certainly double as a weapon if one had to defend themselves). In recent years, with photography becoming my full-time job, I’ve worked with various Nikon DSLRs - D700, D4, D850 - but these are expensive cameras to be carrying around and not exactly light or compact either. I’ve realised, however, that I missed taking snaps of my friends or of places I was visiting. I’d usually use my iPhone for that but it never feels right for me, no matter how great the phone cameras are these days. And this is what brought me to the FujiFilm x100 series.

I’d been watching various YouTube videos about these cameras, reading reviews, checking prices on eBay, and last year I eventually bit the bullet and bought the then recently released x100v model. First of all, it’s beautiful. I often feel that in the digital age the aesthetics of a camera are the last to be considered. I realise that what a camera looks like isn’t of utmost importance for most, and I’m not too bothered about it either when it comes to the equipment I use for work (the Nikons aren’t exactly ugly but they won’t be winning beauty contests anytime soon). However, if I’m going to carry a camera with me every day, I want it to be compact, practical, and, yes - pretty. And the old-school, analog-borrowed look of the whole x100 series is really lovely (I went for the silver model). As for the performance, I’ve been shooting with x100v for almost a year now, always have it in my bag, and I really love it - it definitely exceeded my expectations when it comes to image quality and it also brought back the joy of taking photos just for fun, without overthinking. I’ve got it set on Aperture priority and don’t worry about much else. I mainly use it for personal things: meeting friends, traveling, behind the scenes, etc, but I’ve also occasionally taken it out on work shoots and ended up with decent results. All in all, I’m super happy with it, and here are some examples of snaps I’ve taken with the FujiFilm x100v so far: