Cover

David Latto

David Latto is a Scottish singer/songwriter who commissioned me last year to photograph and design artwork for his EP “Show Me How To Feel”. He was inspired by Franck Bohbot’s  levitation images and wanted the EP as well as the single covers to carry the weightlessness theme. The shoot took place last summer in Mugdock Park and the EP was released in the autumn to great reviews (and deservedly so!).

GEAR
Nikon D850 + Nikkor 85mm f1.4

Pictures

Pictures is a project by Cliona Cassidy (voice) and Catriona McKay (harp and harmonium). I've worked with both artists on several occasions over the years, have great respect for them so it was a pleasure to be asked to photograph and design their EP. Cliona and Catriona had a very clear idea of what they wanted for the cover image and its inspiration was a famous Frida Kahlo photograph of the Mexican painter working in her studio (which you can see below). We first took a portrait of Catriona and then photographed Cliona standing next to an easel, just like Kahlo. Rest of the work was done in photoshop. See the EP cover below as well other images from that session:

GEAR
Nikon D4
Nikkor 50mm f1.4
Nikkor 24-70mm f2.8
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 
Nikon SB-5000 Speedlight
Neewer 120cm Octabox

Eunice for Scottish Woman

I photographed model and broadcaster Eunice Olumide for the first time last year and we recently collaborated again when I was asked to photograph her for the cover of Scottish Woman Magazine. We shot it on a rather windy and chilly April afternoon on Portobello Beach in Edinburgh (although I really shouldn’t complain - I wasn’t the one running around barefoot in dresses!). Eunice put together a truly stellar team for this and you can check the results below:

Styling: Michelle Watson Creative + Daina Renton
Make Up: Sharon Cuthbert
Photo Assistance: Mary Scott

Behind the Scenes:

GEAR
Nikon D850 + Nikkor 85mm f1.4
Profoto A1
RoundFlash Beauty Dish

Keep The Flame Alight

One of my favourite projects of 2018 was working on Martha L. Healy’s sophomore album “Keep The Flame Alight”. The publicity images and the album cover, as well as music videos for album’s lead single “No Place Like Home” and its follow up “Keep The Flame Alight”, were all shot in Scottish countryside (Stirlingshire to be precise, “Keep The Flame Alight” was filmed at Dreamcatcher Cabins). I also designed the album packaging. If you’d like to catch Martha live, she will be opening for Jill Jackson in a couple of weeks at this year’s Celtic Connections (tickets here). I’ll be there and so should you cause both of these ladies rock. In the meantime, check out the video and some of the photos we took for this project:

Behind the scenes

Behind the scenes

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Video filmed with Sony A7III + Sony 35mm f1.8
Metabones Nikon G to Sony NEX E-mount Converter
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Zhiyun Crane 2 Gimbal
Edited in FCPX

GEAR:
Nikon D4
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Neewer 120cm Octabox
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 

Christine Bovill Album Promo

I've written about working with Christine Bovill, the chanteuse supreme, on a couple of occasions (here and here) but we actually go way back. When I was a student in the early 2000s, I used to work at this Italian coffee shop in Finnieston called Espresso. Christine may be best known for singing in French but she also has a soft spot for all things Italian and was a frequent visitor at the café as she lived nearby (she named her debut album Derby Street after all). Eventually, I quit that job, Christine moved flats and we lost touch for a decade or so until we bumped into each other at a function in the summer of 2013 (she was singing, I was taking pictures). After so many years it took us a while to figure out how we knew each other but it eventually clicked - Espresso! What followed was not only a brilliant working relationship but also a treasured friendship.

When Christine Bovill was getting ready to release her sophomore album The Sentence That I Serve, I was brought on board to oversee the whole visual side of the project - from photographing the recording process as well as the single/album covers to designing the CD packaging and finally filming the EPK. It was a lot of work but I couldn't have been happier to be involved.

EPK Video:

Recording/Rehearsals (with The Strange Blue Dreams):

Single Cover Shoot:

Album Cover Shoot: