Eunice for Scottish Woman

I photographed model and broadcaster Eunice Olumide for the first time last year and we recently collaborated again when I was asked to photograph her for the cover of Scottish Woman Magazine. We shot it on a rather windy and chilly April afternoon on Portobello Beach in Edinburgh (although I really shouldn’t complain - I wasn’t the one running around barefoot in dresses!). Eunice put together a truly stellar team for this and you can check the results below:

Styling: Michelle Watson Creative + Daina Renton
Make Up: Sharon Cuthbert
Photo Assistance: Mary Scott

Behind the Scenes:

Nikon D850 + Nikkor 85mm f1.4
Profoto A1
RoundFlash Beauty Dish

Keep The Flame Alight

One of my favourite projects of 2018 was working on Martha L. Healy’s sophomore album “Keep The Flame Alight”. The publicity images and the album cover, as well as music videos for album’s lead single “No Place Like Home” and its follow up “Keep The Flame Alight”, were all shot in Scottish countryside (Stirlingshire to be precise, “Keep The Flame Alight” was filmed at Dreamcatcher Cabins). I also designed the album packaging. If you’d like to catch Martha live, she will be opening for Jill Jackson in a couple of weeks at this year’s Celtic Connections (tickets here). I’ll be there and so should you cause both of these ladies rock. In the meantime, check out the video and some of the photos we took for this project:

Behind the scenes

Behind the scenes

1F286E02-4802-4F1A-B161-70D0120C4D29 2.jpg

Video filmed with Sony A7III + Sony 35mm f1.8
Metabones Nikon G to Sony NEX E-mount Converter
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Zhiyun Crane 2 Gimbal
Edited in FCPX

Nikon D4
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Neewer 120cm Octabox
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 

Christine Bovill Album Promo

I've written about working with Christine Bovill, the chanteuse supreme, on a couple of occasions (here and here) but we actually go way back. When I was a student in the early 2000s, I used to work at this Italian coffee shop in Finnieston called Espresso. Christine may be best known for singing in French but she also has a soft spot for all things Italian and was a frequent visitor at the café as she lived nearby (she named her debut album Derby Street after all). Eventually, I quit that job, Christine moved flats and we lost touch for a decade or so until we bumped into each other at a function in the summer of 2013 (she was singing, I was taking pictures). After so many years it took us a while to figure out how we knew each other but it eventually clicked - Espresso! What followed was not only a brilliant working relationship but also a treasured friendship.

When Christine Bovill was getting ready to release her sophomore album The Sentence That I Serve, I was brought on board to oversee the whole visual side of the project - from photographing the recording process as well as the single/album covers to designing the CD packaging and finally filming the EPK. It was a lot of work but I couldn't have been happier to be involved.

EPK Video:

Recording/Rehearsals (with The Strange Blue Dreams):


Single Cover Shoot:


Album Cover Shoot:


Miss Jackson & The Getaway Driver

Had an extremely productive Sunday for a change - finally managed to sort out that mountain of paperwork I've been moaning about for months! Kind of had to be done, really, as I'm moving flat soon and wasn't prepared to take that burden with me to the new place... Anyways, I thought I'd do a bit of a flashback post this time around and write about a project I was involved in earlier on this year, before I started this blog. I mentioned Jill Jackson a couple of times here (for those unfamiliar with Jill, she's the hot ex-frontwoman for Speedway), I've photographed her on numerous occasions over the past few years and I always enjoy working with her and her team but there was something particularly special about the "Getaway Driver" album project.

We started with a small promo shoot in January. It took place in an abandoned warehouse situated above a fishmongers so not only it was freezing cold but it stank of fish as well. We had a 90s R&B playlist to keep us going however and Jill soldiered on:

Later that month I went into the recording studio with Jill and her band (Lisa Tring, Fraser John Lindsay, Lorna Thomas and Johnny MacKinnon) to document the process of making the album. I love music as much as I love photography so I'm like a kid in a candy store whenever I get a chance to be involved in such ventures. Norman Blake (of Teenage Fanclub fame) can also be seen in a few shots here:

When all that was done it was time to shoot the album and single cover. We used a vintage Mercedes sitting in an Arnold Clark warehouse in Glasgow (previously on display at the Transport Museum apparently). Apart from it being ridiculously cold (recurring theme it seems) the shoot itself was pretty uncomplicated - all natural/available light, a reflector and one very cool lady:

Jill Jackson, "Getaway Driver" Single Cover
Jill Jackson, "Getaway Driver" Single Cover
Jill Jackson, "Getaway Driver" Album Cover
Jill Jackson, "Getaway Driver" Album Cover

The cover artwork was designed by The Print Box in Glasgow and the album was eventually released in May. It's probably one of my favourite records of 2012 - I may be biased, I admit, but I'll stick by it! In fact, my friends and I loved one of the tracks so much we decided to shoot our own music video to it. Heavily influenced by ABBA and late 70s kitsch in general, it involved a lot of wigs, cut out disco balls, sequined accessories, dancing and, inevitably, fizzy! The fact that MTV Video Music Awards ignored it in this year's selection is beyond me: Drag On The Line

Right, is this a long post or what? I think the subject matter was worthy though! Next time I promise something brand spanking new. Cheerio till then! PS. For my other work with Jill Jackson feel free to have a look in this gallery.

The artist & the photographer
The artist & the photographer