Profoto B10

Emma Dunlop

in , ,

Editorial shoot with singer songwriter Emma Dunlop

I met Emma Dunlop when she came to the opening of my exhibition Women At COP26 last autumn but actually, as it turned out, I photographed her many years ago as part of The Kennedy Cupcakes dance troupe at a corporate event in Glasgow. We chatted very briefly at the launch and I remember thinking it would be great to photograph her at some point. We managed to make it happen last month when we spent a day in a studio with a small, yet brilliant team, trying different things and just having fun. We wanted a lot of shadows, shapes, androgyny, oversized suits and playing with the ideas of masculine and feminine. I never shoot with hard light, like ever, so this was something new for me to try as most set ups we prepared for this session were all about hard lighting. See our initial references below as well as a few of the final images.

Hair, Make Up & Styling: Michelle Watson
Assistance: Jack Thomson
Studio: Basement49

Visual References

Behind the Scenes (taken by Jack Thomson):

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Profoto B10
Profoto A1
Profoto OCF Softbox 3' Octa

Profoto OCF Beauty Dish White 2'

Neewer 120cm Octabox
Reflector

Agnieszka Opiola

in ,

Portrait session with violinist Agnieszka Opiola

I met Agniszeka Opiola, a brilliant performance violinist, while we worked together on an opera project for NOISE. We struck a relationship that continued beyond the opera and eventually Agnieszka approached me last year to do some promotional images for her. We spent a few hours at Basement49 studio last March blasting Chopin (See? It isn’t only 90s R&B and Madonna with me…), chatting and taking photos, of course. Have a look at a select few below.

Big thanks to Greta Kalva for assistance on the day.

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Profoto B10 + Profoto OCF Softbox 3' Octa
Reflector

Marissa Keltie

in ,

Portfolio shoot with Marissa Keltie

I’ve known Marissa Keltie for a few years and have worked with her several times as part of The Eves duo. However, this was the first time I photographed her alone. Aside from being a talented musician, Marissa is also a commercial model and a voice-over artist and was looking to update her portfolio. I love how these images turned out and I think Marissa is pleased too cause this is what she had to say about this session:

 
“Kris Kesiak is such an amazing photographer who I have the pleasure of working with regularly. He always manages to get the shots I’m looking for and always has a smile on his face, singing and dancing - shoots with him are lots of fun!”
 

I’m blushing although perhaps I should cut down on the singing, I’m not that good! Aaaanyway, the shoot took place last month at Basement49, an East End studio I use a lot and you can see some images from that day below:

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist ¼ Filter
Profoto B10 + Profoto OCF Softbox 3' Octa
OCF Softgrid Octa
Reflector

Behind The Scenes with Horse

in ,

“Leaving” is the new single from Horse, it premiered earlier this month and I had the pleasure of working on the music video to accompany the song.

Autumn this year will mark 10 years since Horse and I started working together (yes, there will be a blog about that too down the line), we’ve done a variety of projects over the decade but this was the first time doing a music video together.

Loosely inspired by Joan of Arc and filmed at the National Theatre of Scotland last December, it was a very low-key affair largely due to Covid-19 restrictions. We got the absolutely phenomenal Michelle Watson to style the shoot and do the make up. She also created the custom crowns Horse is seen wearing throughout the clip, while the mesh and armour bits were kindly provided by the National Theatre of Scotland’s costume department (thank you Aileen!).

I can’t lie, Horse is a legend and I was really nervous about doing her and the new song justice. I also had the idea of doing something a little bit different for her and showing Horse in a way that she’s never been seen before. Luckily, over the years of working together we became very good friends, she trusted me and gave her all on the shoot. Neither the armour nor the sword was light, and I had her running about, swinging the damn thing and lip-syncing for hours on end.

I’m pleased to say we’re still friends and Horse thinks the effort was worth it. I hope you think so too - have a look at the final video below followed by a few behind the scenes snaps taken on the day:

GEAR / BTS PHOTOS
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
FujiFilm x100v

GEAR / VIDEO
Sony A7III
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
DJI RS 2 Gimbal
Profoto B10 + Profoto OCF Beauty Dish 2'
Neewer CN-216 LED Light x 2
Reflector
Tripod
Video edited in FCPX