Marissa Keltie

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Portfolio shoot with Marissa Keltie

I’ve known Marissa Keltie for a few years and have worked with her several times as part of The Eves duo. However, this was the first time I photographed her alone. Aside from being a talented musician, Marissa is also a commercial model and a voice-over artist and was looking to update her portfolio. I love how these images turned out and I think Marissa is pleased too cause this is what she had to say about this session:

 
“Kris Kesiak is such an amazing photographer who I have the pleasure of working with regularly. He always manages to get the shots I’m looking for and always has a smile on his face, singing and dancing - shoots with him are lots of fun!”
 

I’m blushing although perhaps I should cut down on the singing, I’m not that good! Aaaanyway, the shoot took place last month at Basement49, an East End studio I use a lot and you can see some images from that day below:

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist ¼ Filter
Profoto B10 + Profoto OCF Softbox 3' Octa
OCF Softgrid Octa
Reflector

Mugdock Park

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Portraits in Mugdock Park

Mugdock Country Park is one of my favourite outdoors spaces to photograph in. It’s easily accessible from Glasgow and not too remote. There are bits of it that feel like remote countryside, places that are lush green and overgrown with ferns. You can find meadows, huge trees, water, there are even ruins of a castle - basically a never-ending source of photo inspiration and despite having done numerous shoots there over the years, I still feel like I’ve only scratched the surface of the park. In fact, I got lost there for a bit on a shoot last year, wandering in a wooded area in circles. Below you can see one image from every shoot I’ve done in Mugdock Park so far. Enjoy.

Jill Jackson, Yours Aye

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New album campaign for Jill Jackson

“Yours Aye” is the brand new album by Scottish singer-songwriter Jill Jackson. After several pandemic-related delays, it finally saw the light of day in early May (hitting #1 on iTunes Country Album Chart no less). I’ve written about working with Jill many, many times (you can read about our first decade together here for example) and what can I say? It’s always a pleasure and a really, really good laugh.

Jill approached me last year to do a photoshoot for the new album cover and after sending me some examples of the mood and style of images she was after (see below), I suggested shooting the whole thing on film. Since Jill loves all things analog there wasn’t any convincing needed. I have to admit though that before the session I started panicking a little - what if I mess up and we don’t get the cover shot we needed? I got back to shooting film in recent years but haven’t done many 100% analog projects for clients so to alleviate my paranoia and to cover my back I took my digital equipment along with my Nikon FM and ended up using both.

We shot in Basement49 Studio as well as outdoors in Glasgow’s Merchant City. Gulabi did a brilliant job developing and scanning the 5 rolls we went through on the day (2 color and 3 black and white) and you can see some of my favourite images from the session if you scroll below. Wonder if you can tell which ones were analog and which were digital?

My involvement in the project didn’t end there however. Earlier this year I filmed Jill’s live sessions at Gorbals Sound studios as well as an interview, all of which are being used to promote the album on various platforms. I was also recently at Cottiers where Jill officially launched the album with a brilliant live set. Have a look below to see all of that and more. Enjoy and do check out “Yours Aye”, it really is a masterclass in songwriting and production.

Jill's visual references

for the session

“Yours Aye” Album Cover:

“Yours Aye” album cover shoot.

Basement49 Studio and Merchant City in Glasgow, June 3rd 2021:

“Live Sessions”

Gorbals Sound, March 6th, 2021:

ALBUM LAUNCH

Cottiers, Soundcheck & Live Show, May 19, 2022

Behind the scenes:

GEAR

Digital:
Nikon D850 + Nikkor 85mm f1.4
Studio Lights (can’t remember what was used exactly)

Analog:
Nikon FM + Nikkor 100mm f1.8
Kodak TX 400
Kodak Portra 400
Studio Lights

Video:
Sony A7III x 2
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
Nikkor 14-24mm f2.8 + Metabones Nikon G to Sony E-mount Converter
Profoto B10 + Profoto OCF Softbox 3' Octa
Neewer CN-216 LED Light x 2
DJI RS 2
Edited in FCPX

Live:
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
Nikon D850 + Nikkor 14-24mm f2.8 / Nikkor 24-70mm f2.8

BTS:
FujiFilm x100v
iPhone 11 Pro

COP26 Activists

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portraits of climate activists at cop26 in Glasgow

The COP26 theme is back, hope you don’t mind - it was a busy couple of weeks for Glasgow! This was a really enjoyable job which, after the seemingly never-ending lockdowns, made me feel excited about photography again.

Project Everyone is a United Nations Global Partner for SDG Advocacy and Outreach which seeks to put the power of communications behind the Sustainable Development Goals, also known as the Global Goals, and I was asked to take photos of their climate justice activists who arrived in Glasgow from all over the world for the conference. It was a beautiful sunny November day and the shoot took place in Broomielaw area of the city where Global Goals put up a huge billboard displaying giant post-it notes with their 17 sustainability goals. Each activist was asked to pick a goal close to their heart and got photographed in front of it. Here’s a selection of images from that day:

GEAR
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Tiffen Black Pro-mist 1/4 Filter

Behind The Scenes with Horse

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“Leaving” is the new single from Horse, it premiered earlier this month and I had the pleasure of working on the music video to accompany the song.

Autumn this year will mark 10 years since Horse and I started working together (yes, there will be a blog about that too down the line), we’ve done a variety of projects over the decade but this was the first time doing a music video together.

Loosely inspired by Joan of Arc and filmed at the National Theatre of Scotland last December, it was a very low-key affair largely due to Covid-19 restrictions. We got the absolutely phenomenal Michelle Watson to style the shoot and do the make up. She also created the custom crowns Horse is seen wearing throughout the clip, while the mesh and armour bits were kindly provided by the National Theatre of Scotland’s costume department (thank you Aileen!).

I can’t lie, Horse is a legend and I was really nervous about doing her and the new song justice. I also had the idea of doing something a little bit different for her and showing Horse in a way that she’s never been seen before. Luckily, over the years of working together we became very good friends, she trusted me and gave her all on the shoot. Neither the armour nor the sword was light, and I had her running about, swinging the damn thing and lip-syncing for hours on end.

I’m pleased to say we’re still friends and Horse thinks the effort was worth it. I hope you think so too - have a look at the final video below followed by a few behind the scenes snaps taken on the day:

GEAR / BTS PHOTOS
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter
FujiFilm x100v

GEAR / VIDEO
Sony A7III
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
DJI RS 2 Gimbal
Profoto B10 + Profoto OCF Beauty Dish 2'
Neewer CN-216 LED Light x 2
Reflector
Tripod
Video edited in FCPX