Mugdock Park

Mugdock Park

Portraits in Mugdock Park

Mugdock Country Park is one of my favourite outdoors spaces to photograph in. It’s easily accessible from Glasgow and not too remote. There are bits of it that feel like remote countryside, places that are lush green and overgrown with ferns. You can find meadows, huge trees, water, there are even ruins of a castle - basically a never-ending source of photo inspiration and despite having done numerous shoots there over the years, I still feel like I’ve only scratched the surface of the park. In fact, I got lost there for a bit on a shoot last year, wandering in a wooded area in circles. Below you can see one image from every shoot I’ve done in Mugdock Park so far. Enjoy.

Cloud House

Cloud House are a Glasgow-based alternative/indie band and I’ve worked with them on a couple of promotional shoots in recent years. I’ve also had the pleasure of seeing them live recently at King Tut’s. It was my first live gig since the pandemic (theirs too!) and these gentlemen were pretty awesome. Here are select images from my sessions with them:

DECEMBER 2019 SHOOT / Mugdock Park

GEAR

Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Profoto A1
Profoto Air Remote TTL-N for Nikon
Neewer 120cm Octabox


NOVEMBER 2020 SHOOT / Basement49

GEAR

Nikon D850
Nikkor 50mm f1.4
Nikkor 14-24mm f2.8
Studio lights + Octabox
Reflector

Behind The Scenes:

David Latto

David Latto is a Scottish singer/songwriter who commissioned me last year to photograph and design artwork for his EP “Show Me How To Feel”. He was inspired by Franck Bohbot’s  levitation images and wanted the EP as well as the single covers to carry the weightlessness theme. The shoot took place last summer in Mugdock Park and the EP was released in the autumn to great reviews (and deservedly so!).

GEAR
Nikon D850 + Nikkor 85mm f1.4

A Decade with Jill Jackson

In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

Travelling Mercies

“Travelling Mercies” is a recent album from husband and wife duo Ashton Lane, and it topped UK Official Country Artists Album Charts earlier this year. I was approached by Esther and Tim last summer to photograph and design the album packaging. The shoot took place last September in one of my favourite places, Mugdock Park. In fact, I keep meaning to do a separate blog devoted to sessions I did there over the years (and there have been many), hopefully I’ll get to it soon. Anyway, back to Ashton Lane, I always get a bit nervous when my brief for a Glasgow based shoot includes words “outdoors” and “sunny” simultaneously - I may have many tricks up my sleeve but controlling the weather isn’t one of them so all you can do is hope that you’ll get lucky. And lucky we were indeed - it was a beautiful sunny evening, perfect for what we were trying to achieve.

Behind the scenes:

GEAR
Nikon D850 + Nikkor 85mm f1.4