Roxana Halls

I met London-based artist Roxana Halls earlier this year when she travelled up to Scotland to see her portrait of Horse Mcdonald, acquired last year by the Scottish National Portrait Gallery, about to go on public display for the first time. I was there to document the day and the moment I saw Roxana, I thought she’d be a fantastic person to photograph. The opportunity came along when I was in London a few weeks ago and despite rather hectic schedules, we managed to carve out a bit of time for me to visit Roxana’s studio and take some photos. There wasn’t much time, I was probably there about 20 minutes, but Roxana was a great sport and I’m pleased with how this sitting turned out. Have a look:

GEAR
Nikon D850
Nikkor 85mm f1.4 + Tiffen Black Pro-mist 1/4 Filter
FujiFilm x100v

FujiFilm x100v

Thoughts on FujiFilm X100v Camera

My name is Kris and I am a lazy photographer. What I mean by that is that I’ve never been the type of photographer who carries a camera everywhere they go, taking pictures of anything and everything. I’ve always admired such people, I’m just not one of them. I value comfort and practicality above all else. See? Lazy. When I started taking photos, it was with a Zenit 11 and that camera is built like a Soviet tank, not exactly a “throw-in-your-pocket” type of equipment (although it could certainly double as a weapon if one had to defend themselves). In recent years, with photography becoming my full-time job, I’ve worked with various Nikon DSLRs - D700, D4, D850 - but these are expensive cameras to be carrying around and not exactly light or compact either. I’ve realised, however, that I missed taking snaps of my friends or of places I was visiting. I’d usually use my iPhone for that but it never feels right for me, no matter how great the phone cameras are these days. And this is what brought me to the FujiFilm x100 series.

I’d been watching various YouTube videos about these cameras, reading reviews, checking prices on eBay, and last year I eventually bit the bullet and bought the then recently released x100v model. First of all, it’s beautiful. I often feel that in the digital age the aesthetics of a camera are the last to be considered. I realise that what a camera looks like isn’t of utmost importance for most, and I’m not too bothered about it either when it comes to the equipment I use for work (the Nikons aren’t exactly ugly but they won’t be winning beauty contests anytime soon). However, if I’m going to carry a camera with me every day, I want it to be compact, practical, and, yes - pretty. And the old-school, analog-borrowed look of the whole x100 series is really lovely (I went for the silver model). As for the performance, I’ve been shooting with x100v for almost a year now, always have it in my bag, and I really love it - it definitely exceeded my expectations when it comes to image quality and it also brought back the joy of taking photos just for fun, without overthinking. I’ve got it set on Aperture priority and don’t worry about much else. I mainly use it for personal things: meeting friends, traveling, behind the scenes, etc, but I’ve also occasionally taken it out on work shoots and ended up with decent results. All in all, I’m super happy with it, and here are some examples of snaps I’ve taken with the FujiFilm x100v so far:

Cheerio 2020

Well, 2020 was a doozy, wasn't it? I wrote a bit about my experience during the first lockdown before - remember that? We thought, or perhaps just hoped, that we were out of the woods by that point and life would merrily if slowly, come back to normal. I mean, LOL! At this point, I feel like that old lady in the Titanic wearily announcing “It’s been 84 years…”.

While my first lockdown was filled with making music, reading books about music and taking online music courses, the autumn one was filled with fanatic cooking and baking. Nigella Lawson has always been a huge inspiration for me (I’m pretty much convinced by this point that we’re the same person) but Lockdown #2 took it to new heights. I couldn’t tell whether these were the signs of me transforming into a fully-fledged “domestic goddess” in my 40s, or that a nervous breakdown was imminent. Still, nobody in my flat was complaining, obviously, and being in the kitchen really helped my overall mental health and became an outlet for creativity. Post-Christmas restrictions, however, just plunged me into a state of numbness. Needing an escape, and not being able to plan a physical one, I’ve been reading about Old Hollywood and watching movies from that era (Gilda, Sunset Boulevard, Jezebel, etc). There is something comforting about getting lost in that world. I also found a brilliant YouTube channel with video essays diving into the history of women in Hollywood through the prism of Academy Awards. Not that I’m obsessive about things or anything.

I do miss working and being creative but have been trying not to think about it or look too far ahead. 2020 has been a challenge and an eye-opening experience for everyone (I didn’t realise I had so many epidemiologists on my social media for example) but it’s over now and despite it being generally shit I still managed to take some photos I’m happy with and here’s a selection of them:

And I loved working with Tam Dean Burn on this music video for Louise Rutkowski:

ALBUMS OF 2020
Róisín Machine Róisín Murphy
What’s Your Pleasure? Jessie Ware
Gaslighter The Chicks
Future Nostalgia Dua Lipa
Women In Music Pt. III HAIM
That's How Rumors… Margo Price
Jaguar Victoria Monét

SONGS OF 2020
Murphy’s Law Róisín Machine
No Time To Die Billie Eilish
Levitating Dua Lipa
Ooh La La Jessie Ware
Midnight Sky Miley Cyrus
Gaslighter The Chicks

David Latto

David Latto is a Scottish singer/songwriter who commissioned me last year to photograph and design artwork for his EP “Show Me How To Feel”. He was inspired by Franck Bohbot’s  levitation images and wanted the EP as well as the single covers to carry the weightlessness theme. The shoot took place last summer in Mugdock Park and the EP was released in the autumn to great reviews (and deservedly so!).

GEAR
Nikon D850 + Nikkor 85mm f1.4

Justyna Jablonska

The shoot with cellist Justyna Jablonska was meant to happen in March this year but, like many other projects, it was postponed until it was safe to do it. You know, something about a pandemic. When I was finally on the train to Edinburgh for our rescheduled shoot after the restrictions had been lifted, I realised I hadn't missed taking photos at all and begun to wonder whether I still had it in me. I wasn’t even sure whether I was interested in photography anymore. I know it may sound like crazy talk, but crazy seems to be the operative word for 2020 and it was genuinely what was going through my head sitting on that train (mask on, thank you very much).

During the lockdown, I was lucky enough to be healthy and have money to get by (was also eligible for the self-employment income support scheme) and after the initial panic, I decided to make the best of a bad situation. I found a strange comfort in knowing that we were all in the same boat and that there was absolutely nothing I could do. So I did things I don't normally have the time to do - took some online courses (music theory and such), read books (Maya Angelou, soul trilogy by Stuart Cosgrove and Ronan Farrow’s brilliant Catch and Kill among others), I messed around with music, played the guitar - you get the picture. I missed swimming but overall it wasn’t hard going for me.

Anyway, 5 minutes into this post-lockdown shoot with Justyna, I felt an overwhelming sensation of being in the right place, at the right time, doing what felt right. Perhaps it wasn’t so much that I didn’t miss photography, it’s just that I needed some time off to realise how much I actually loved it. Justyna and I had a great time, we shot outdoors and in her flat, it was easy and fun and we’ve already got other projects in the pipeline together. Check out some of the images below for the time being:

GEAR
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Neewer 120cm Octabox
Profoto A1
Profoto Air Remote TTL-N for Nikon