Cheerio 2020

Well, 2020 was a doozy, wasn't it? I wrote a bit about my experience during the first lockdown before - remember that? We thought, or perhaps just hoped, that we were out of the woods by that point and life would merrily if slowly, come back to normal. I mean, LOL! At this point, I feel like that old lady in the Titanic wearily announcing “It’s been 84 years…”.

While my first lockdown was filled with making music, reading books about music and taking online music courses, the autumn one was filled with fanatic cooking and baking. Nigella Lawson has always been a huge inspiration for me (I’m pretty much convinced by this point that we’re the same person) but Lockdown #2 took it to new heights. I couldn’t tell whether these were the signs of me transforming into a fully-fledged “domestic goddess” in my 40s, or that a nervous breakdown was imminent. Still, nobody in my flat was complaining, obviously, and being in the kitchen really helped my overall mental health and became an outlet for creativity. Post-Christmas restrictions, however, just plunged me into a state of numbness. Needing an escape, and not being able to plan a physical one, I’ve been reading about Old Hollywood and watching movies from that era (Gilda, Sunset Boulevard, Jezebel, etc). There is something comforting about getting lost in that world. I also found a brilliant YouTube channel with video essays diving into the history of women in Hollywood through the prism of Academy Awards. Not that I’m obsessive about things or anything.

I do miss working and being creative but have been trying not to think about it or look too far ahead. 2020 has been a challenge and an eye-opening experience for everyone (I didn’t realise I had so many epidemiologists on my social media for example) but it’s over now and despite it being generally shit I still managed to take some photos I’m happy with and here’s a selection of them:

And I loved working with Tam Dean Burn on this music video for Louise Rutkowski:

ALBUMS OF 2020
Róisín Machine Róisín Murphy
What’s Your Pleasure? Jessie Ware
Gaslighter The Chicks
Future Nostalgia Dua Lipa
Women In Music Pt. III HAIM
That's How Rumors… Margo Price
Jaguar Victoria Monét

SONGS OF 2020
Murphy’s Law Róisín Machine
No Time To Die Billie Eilish
Levitating Dua Lipa
Ooh La La Jessie Ware
Midnight Sky Miley Cyrus
Gaslighter The Chicks

The Dolls - Behind The Scenes

The Dolls are Louise McCarthy (Only an Excuse?) and Gayle Telfer Stevens (River City) and I wrote about working with them before. When their Dolls Abroad tour finally hit the King's Theatre in Glasgow earlier this spring (for 3 sold out shows no less) I was asked to document the process of putting the show together. It was a very, very long day but in all honesty, it was one of the most rewarding working experiences I've had. Have a look at some of the shots below:

Ceol's Craic

Established in 2004, Ceòl's Craic is a year-round programme of the best in contemporary Gaelic culture. I've had the pleasure of working with them for a few years now, photographing various events, from plays and book launches to music showcases at CCA. It's fun, sometimes challenging and often educational (who knew there was so much brilliant electronica in Gaelic?). Here's a collection of some of my favourite images for Ceòl's Craic:

The Dolls

The Dolls are Louise McCarthy (Only an Excuse?) and Gayle Telfer Stevens (River City) and I've known them for a few years through my work with Soul Nation Choir (Gayle and Lousie have both sung with this brilliant choir). I'd been hearing (and seeing clips online) of their double act for a while but somehow never got the chance to see it live until I was asked to photograph a couple of their sold-out Dolls Abroad shows at The Mitchell Theatre this September. I'm not exaggerating when I say it was one of the funniest things I've ever seen - I was photographing it with tears streaming down my face! After 8 sold-out shows at The Mitchell Theatre, The Dolls are hitting the road next spring to bring Dolls Abroad to venues all over Scotland. Fat chance getting tickets (some dates were sold out within 10 minutes) but it's definitely worth trying cause these two (and the brilliant Alan Orr who also stars in the show) will knock your socks out!