Colour

Dunt

I’ve known Samson, aka Dunt, for many years - he plays drums for Horse whom I collaborate with frequently. He’s also a brilliant producer in his own right, however, and last summer we took some promo images for him at Dry Docks in Govan. It was a very simple affair, just the two of us and a camera, have a look:

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter

Roxana Halls

I met London-based artist Roxana Halls earlier this year when she travelled up to Scotland to see her portrait of Horse Mcdonald, acquired last year by the Scottish National Portrait Gallery, about to go on public display for the first time. I was there to document the day and the moment I saw Roxana, I thought she’d be a fantastic person to photograph. The opportunity came along when I was in London a few weeks ago and despite rather hectic schedules, we managed to carve out a bit of time for me to visit Roxana’s studio and take some photos. There wasn’t much time, I was probably there about 20 minutes, but Roxana was a great sport and I’m pleased with how this sitting turned out. Have a look:

GEAR
Nikon D850
Nikkor 85mm f1.4 + Tiffen Black Pro-mist 1/4 Filter
FujiFilm x100v

Barbra Kolasinski

Barbra Kolasinski is a luxury Scottish womenswear brand - her stuff is beautiful, colourful and unique. She’s also a friend of mine - we met on a shoot a while back and hit it off. I love her use of colour and textures in her work and wanted to photograph her for some time. We finally made it happen this summer - check out some of the images below.

GEAR
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Profoto A1 + Air Remote TTL-N for Nikon
Neewer 120cm Octabox
Nikon FM + 50mm f1.4
Kodak 400 TX

Sean Kennedy

Sean Kennedy is an up and coming Scottish singer-songwriter with whom I did a shoot last summer (you can read about it here). The results of that first session ended up on the cover of his debut EP "Love Don't Live Here" (as seen here) and I was looking forward to working with him again. This time it was an indoors shoot and we used Contrast Studio in Glasgow's city centre. Since the studio we used had plenty of natural light and it was a beautiful, late spring evening (something you don't get in Glasgow that often) we decided to split the shoot into 2 sections - one for shots with available light only and another using studio lighting. Huge thanks to Laurabelle, my light assistant supreme.

sean-kennedy-may13-blog.jpg