A Decade with Jill Jackson

In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

The Same Sky 30 Live

I’ve now worked with Horse for almost a decade and have written about our various collaborations a few times (here, here and here for example). Over the years we became friends and being in her company, whether informally or professionally, is always a joy so when I’m asked to join her on yet another project I say yes without asking too many questions. This time it was to photograph a very special gig at Edinburgh’s Queen’s Hall last November celebrating 30 years of “The Same Sky”, Horse’s debut album. It was a brilliant, emotional show - from a haunting version of “Careful” backed by a 3-peace string section to a full on disco blast of “Could It Be Magic”, it was a night to remember. Lucky for those who missed it, the evening was filmed for a future DVD release (which I’m about to start editing - not a daunting task, at all…). In the meantime, some images from the night:

Behind the Scenes / Soundcheck:

The Same Sky 30 Live:

GEAR
Nikon D4
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Nikkor 24-70mm f2.8

Travelling Mercies

“Travelling Mercies” is a recent album from husband and wife duo Ashton Lane, and it topped UK Official Country Artists Album Charts earlier this year. I was approached by Esther and Tim last summer to photograph and design the album packaging. The shoot took place last September in one of my favourite places, Mugdock Park. In fact, I keep meaning to do a separate blog devoted to sessions I did there over the years (and there have been many), hopefully I’ll get to it soon. Anyway, back to Ashton Lane, I always get a bit nervous when my brief for a Glasgow based shoot includes words “outdoors” and “sunny” simultaneously - I may have many tricks up my sleeve but controlling the weather isn’t one of them so all you can do is hope that you’ll get lucky. And lucky we were indeed - it was a beautiful sunny evening, perfect for what we were trying to achieve.

Behind the scenes:

GEAR
Nikon D850 + Nikkor 85mm f1.4

Stevie Manns

Stevie Manns is a Scottish singer/songwriter and podcaster who’s been based in New York for the past few years. We connected on social media some years back and we’ve been discussing a possible shoot ever since. It finally happened during Stephanie’s most recent visit to Glasgow in September 2019. We shot in Kelvingrove Park and Charing X back lanes, all natural light. It was a pleasure! Enjoy.

GEAR
Nikon D850 + Nikkor 85mm f1.4

Guest Editorial

I love Barbra Kolasinski’s work and was delighted to be asked to photograph her new collection “Guest”. I don't shoot a lot of fashion for a variety of reasons (lack of budgets, unpleasant individuals, etc). Still, I’m super happy when the right opportunity with the right people presents itself. For this project, Barbra put together an absolutely stellar team of not only talented but also genuinely nice creatives (check credits below).

We shot this collection at The Pyramid, a brilliantly bonkers, Brutalist, B-listed building in the middle of Anderston which now serves as a community centre. Despite many people involved and a variety of clothes and looks to get through, the whole thing went super smoothly and was actually a lot of fun. Long hours and cold be damned if you’ve got a great team you’re working with! Barbra wanted something weird and not traditionally “pretty” - thus weird poses, setups and ambiguity. This turned out to be probably the biggest editorial I’ve done so far and I couldn’t be happier. Check it out below:

Clothes + Styling: Barbra Kolasinski
Model: Erin Lathangie / Colours
Make Up: Sara Hill
Hair: Rochelle Jolley
Set: Flowers Vermilion
Videographer: Bob Rafferty

Behind the scenes:

GEAR
Nikon D850 + Nikkor 50mm f1.4
Profoto A1 x 2
Profoto Air Remote TTL-N for Nikon
Neewer 120cm Octabox
Reflector