Live

A Decade with Jill Jackson

In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

The Same Sky 30 Live

I’ve now worked with Horse for almost a decade and have written about our various collaborations a few times (here, here and here for example). Over the years we became friends and being in her company, whether informally or professionally, is always a joy so when I’m asked to join her on yet another project I say yes without asking too many questions. This time it was to photograph a very special gig at Edinburgh’s Queen’s Hall last November celebrating 30 years of “The Same Sky”, Horse’s debut album. It was a brilliant, emotional show - from a haunting version of “Careful” backed by a 3-peace string section to a full on disco blast of “Could It Be Magic”, it was a night to remember. Lucky for those who missed it, the evening was filmed for a future DVD release (which I’m about to start editing - not a daunting task, at all…). In the meantime, some images from the night:

Behind the Scenes / Soundcheck:

The Same Sky 30 Live:

GEAR
Nikon D4
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Nikkor 24-70mm f2.8

Jill Jackson's Xmas Show

Jill Jackson put on a very special festive show at Cottiers Theatre in Glasgow’s West End this past December. The night was called “A Very Country Christmas” and featured Jill’s solo material (old and brand new) as well some holiday season classics. There were also a few special guests, namely Kathleen MacInnes, Rab Noakes and Soul Nation Choir. It was a brilliant night, truly, and it was a pleasure to capture this event for Jill.

Behind the Scenes/Soundcheck:

A VERY COUNTRY CHRISTMAS:

GEAR
Nikon D4
Nikon D850
Nikkor 85mm f1.4
Nikkor 14-24mm f2.8
Nikkor 24-70mm f2.8

Dusty Won't Play

If you missed Frances Thorburn in “Dusty Won’t Play”, A Play A Pie And A Pint production at Òran Mór this June, shame on you cause it was a feast (and I’m not talking about the pie). The play which originally premiered in 2017 tells the story of Dusty Springfield’s 1964 visit to South Africa where the singer defied local apartheid laws prohibiting concert performances to mixed race audiences. Frances is a force to be reckoned with, both as an actress and a singer (and those aren’t easy songs to sing), and she was mesmerising. I’m hearing talk of the play being brought back for another, perhaps a larger-scale run if you didn’t manage to catch it this time around. Here are some images taken during the dress rehearsal:

GEAR
Nikon D850 + Nikkor 85mm f1.4

Navigate The Blood

I’ve worked with Noise Opera on a few different projects in recent years (you can read about one of them here) and each time it was a great experience filled with challenges as well as joy but their most recent production took it to another level. Composed by Admiral Fallow and Gareth Williams with a libretto by Siân Evans, “Navigate The Blood” is a modern opera set in the world of whisky and gin manufacturing and it toured Scottish distilleries this past November. Long rehearsal days, multitude of people involved, numerous performance venues, different lighting set ups, travel - the whole project was as intense and demanding as it was rewarding. Working behind the scenes on such productions is one of my favourite things to do - love seeing the creative process, how different performances develop over time and the ability to capture artists with their guards down. An incredibly talented group of people was involved in making this opera both on and off stage, and I couldn’t be happier to have been a part of it. I photographed and filmed the rehearsal process as well as several live performances and you can check it all out below:

“Navigate The Blood” film
featuring footage from rehearsals and live performances shot throughout October and November 2018:

Rehearsals:

Glasgow Distillery Dress Rehearsal + Live Performance:

Behind The Scenes:

Behind Behind The Scenes:

GEAR:
Nikon D4
Nikon D700
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Nikkor 14-24mm f2.8
Nikkor 24-70mm f2.8

Sony A7III
Sony 35mm f1.8
Metabones Nikon G to Sony NEX E-mount Converter
Zhiyun Crane 2 Gimbal
Video edited in FCPX