Film

Studio Floor Fashion Film

Studio Floor is the collaboration between Christopher McEvoy and Siobhan McKenna exploring couture-making and craft techniques in waste reduction. I was asked to produce a short film to accompany the project and the truly stunning exhibition that goes along with it (currently running at The Pyramid in Anderston till Saturday 29 April 2023 - should definitely check it out). The shoot took place in late March in the Trades Hall of Glasgow in Merchant City. Have a look at the video below:

CREDITS

A film by Kris Kesiak
Art Direction: Christopher McEvoy & Siobhan McKenna
Hair & Make-Up: Michelle Watson
Styling: Amanda Blackwood
Wardrobe: Chantal Allen
Stills & Backstage: Isla Thompson
Models: Noor Iyyaz & Patrick Doherty
Runners: Orin Annand & Jade MacDonald
Music: Arbo Falls

GEAR

Sony A7III x 2
Sony 35mm f1.8
Sony 85mm f1.8
Tiffen Black Pro-mist 1/4 Filters
Neewer CN-216 LED Light x 2
Tripod
DJI RS 2

Barbra Kolasinski

Barbra Kolasinski is a luxury Scottish womenswear brand - her stuff is beautiful, colourful and unique. She’s also a friend of mine - we met on a shoot a while back and hit it off. I love her use of colour and textures in her work and wanted to photograph her for some time. We finally made it happen this summer - check out some of the images below.

GEAR
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Profoto A1 + Air Remote TTL-N for Nikon
Neewer 120cm Octabox
Nikon FM + 50mm f1.4
Kodak 400 TX

Horse on St. Cyrus Beach

I wrote about my gradual return to shooting film a while back and I mentioned having some 100% analog projects in the pipeline. I can finally share one of them with you. Horse and I have been talking about doing a shoot where it’s just us, camera and the beach for quite some time and earlier this year we drove up to the beautiful St. Cyrus Beach on the East coast of Scotland where we spent a couple of hours walking, talking and taking pictures. We shot 3 rolls of film (2 black and white and a colour one) and I really enjoyed working like that again. It reminded me of the very first shoots I did as a teenager where there was no pressure, no assistants, no stylists, no crazy light equipment - just a camera and the person in front of it. Enjoy!

Behind the scenes:

IMG_2236.jpeg
IMG_2108.jpg
IMG_2230.jpeg

GEAR
Nikon FM + 50mm f1.4
Kodak 400 TX
Kodak Portra 400

Lauren Hutcheon

Lauren Hutcheon is a young actress/singer who got in touch last autumn asking if I could take some headshots for her. We spent a lovely October morning taking photos in Kelvingrove Park as well as at my place, check out some of the images below:

GEAR:
Nikon D4
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Profoto A1
Neewer 120cm Octabox
Canon AE-1 Programme + 50mm f1.8
Kodak 400 TX

Analog Photography

Digital photography didn't exist when my interest in taking pictures begun. I was 16 when my parents got me a second-hand Zenit 11, and in order to get my head around it, I enrolled in a photography workshop where l learned the basics of an SLR, as well as how to develop negatives and prints. My first digital camera was a Nikon D40 which I got on sale in 2009, and I've been shooting digital ever since. I love digital, I enjoy its flexibility, the control it gives over your files and the retouching process, as well as the speed.

Having said that, I've been missing shooting analog for some time. I feel like I second-guessed myself less when I shot film and was more confident in my abilities. Admittedly, I was a teenager then and that might've simply been the arrogance/ignorance of youth, but I felt drawn back to the days of shooting analog nevertheless. You can get really snap-happy with digital just because you can, rather than because you need each frame, so I wanted to remind myself of the discipline of shooting film where each shutter pressing matters, and where you don’t have the digital LCD screen on the back of your camera to double check the exposure. And so a couple of years ago I got a Canon AE-1 (with a 50mm f1.8 lens) on eBay and started shooting analog again. Not for commissioned stuff, cause that would be commercial suicide, but for personal projects, behind-the-scenes shots, friends and such. I've tried different films and fell back in love with Kodak (duh!) which is incidentally what I used to shoot all my black & white stuff on back in the 90s.

I don’t develop my own film or prints these days as I don’t have the time and, to be perfectly honest, don’t think I’d have the patience anymore. I’ve been using DS Colour Labs for that and they’ve been great. All in all, it’s been an educational and interesting return to basics for me, if frustrating at times. I’ve realised I shoot differently on analog, I even tend to frame images in a different way than on digital. Conversely, I’m not as trigger-happy when working with a digital camera now. I’ve actually got a couple of bigger 100% analog projects lined up at the moment, and I’m dying to get a Rolleiflex and try shooting medium format, but for the time being here are a few images taken on film over the past couple of years: