Portrait

A Decade with Jill Jackson

In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

Travelling Mercies

“Travelling Mercies” is a recent album from husband and wife duo Ashton Lane, and it topped UK Official Country Artists Album Charts earlier this year. I was approached by Esther and Tim last summer to photograph and design the album packaging. The shoot took place last September in one of my favourite places, Mugdock Park. In fact, I keep meaning to do a separate blog devoted to sessions I did there over the years (and there have been many), hopefully I’ll get to it soon. Anyway, back to Ashton Lane, I always get a bit nervous when my brief for a Glasgow based shoot includes words “outdoors” and “sunny” simultaneously - I may have many tricks up my sleeve but controlling the weather isn’t one of them so all you can do is hope that you’ll get lucky. And lucky we were indeed - it was a beautiful sunny evening, perfect for what we were trying to achieve.

Behind the scenes:

GEAR
Nikon D850 + Nikkor 85mm f1.4

Stevie Manns

Stevie Manns is a Scottish singer/songwriter and podcaster who’s been based in New York for the past few years. We connected on social media some years back and we’ve been discussing a possible shoot ever since. It finally happened during Stephanie’s most recent visit to Glasgow in September 2019. We shot in Kelvingrove Park and Charing X back lanes, all natural light. It was a pleasure! Enjoy.

GEAR
Nikon D850 + Nikkor 85mm f1.4

Brooks Williams

I met Brooks Williams in November 2018 when I was photographing him and Rab Noakes for their joint tour. We got on very well and when Brooks was finishing work on his latest solo album “Work My Claim” last summer, he got in touch asking me to shoot the album promo. The photos were taken in a back alley in Finnieston as well as Kyoti Recording Studio. Have a look:

GEAR
Nikon D850
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Neewer 120cm Octabox
Profoto A1
Profoto Air Remote TTL-N for Nikon

Dog Digital

There are several interesting things about this particular shoot but none more so than the fact these images were taken late February in Glasgow - scroll down, have a look and call me a liar, I won’t blame you. But it was full on sun, clear blue skies, the works. Sometimes you just get lucky (or it’s global warming). Either way, the shoot was for Dog Digital, an award winning marketing agency based in Glasgow’s city centre. They were looking for portrait images of some members of their team and wanted a contemporary, urban feel with the city of Glasgow as the backdrop. The challenge was to feature the city but without making it too obvious so we focused on lines, textures and angles. Kirsty and Stuart from I’ll Be Your Mirror were in charge of styling the shoot (and, as ever, were a dream to work with) and Beccy Goldinger took care of hair and make up. The shoot was long and took 3 days to complete but it was actually very relaxed and fun. It’s always easy when you work with nice people. Check some of the images below:

Behind the scenes:

GEAR
Nikon D850
Nikkor 50mm f1.4
Nikkor 14-24mm f2.8
Nikkor 24-70mm f2.8
Profoto A1 + Air Remote TTL-N for Nikon
RoundFlash Beauty Dish