Live

Ceol's Craic

Established in 2004, Ceòl's Craic is a year-round programme of the best in contemporary Gaelic culture. I've had the pleasure of working with them for a few years now, photographing various events, from plays and book launches to music showcases at CCA. It's fun, sometimes challenging and often educational (who knew there was so much brilliant electronica in Gaelic?). Here's a collection of some of my favourite images for Ceòl's Craic:

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The Dolls

The Dolls are Louise McCarthy (Only an Excuse?) and Gayle Telfer Stevens (River City) and I've known them for a few years through my work with Soul Nation Choir (Gayle and Lousie have both sung with this brilliant choir). I'd been hearing (and seeing clips online) of their double act for a while but somehow never got the chance to see it live until I was asked to photograph a couple of their sold-out Dolls Abroad shows at The Mitchell Theatre this September. I'm not exaggerating when I say it was one of the funniest things I've ever seen - I was photographing it with tears streaming down my face! After 8 sold-out shows at The Mitchell Theatre, The Dolls are hitting the road next spring to bring Dolls Abroad to venues all over Scotland. Fat chance getting tickets (some dates were sold out within 10 minutes) but it's definitely worth trying cause these two (and the brilliant Alan Orr who also stars in the show) will knock your socks out!

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Christine Bovill's Piaf

I went to see Christine Bovill's much talked-about "Piaf" show at the very beginning of its run at this year's Fringe Festival in Edinburgh and I was floored - by the artist, her performance, her voice, the theatricality and last but not least The Famous Spiegeltent setting. How could I not come back and try to photograph it? I met Christine for coffee in Glasgow's West End, she kindly agreed to let me document the concert and I came back to Edinburgh to photograph the penultimate performance of this year's "Piaf" run. It was quite an unusual setting for me - the only instruments were the piano and the violin (and Christine's voice, of course), The Famous Spiegeltent is a very intimate venue which combined with an incredibly attentive audience made me feel quite aware of my presence there. You don't want to disturb anyone and draw attention to yourself and I did the best I could given that I'm 6' 4" and the shutter on D700 is a rather loud one. Here are some photos for you to see. I have no idea if there are any plans for future "Piaf" shows but be sure to see one if you get a chance, you won't be disappointed!

Horse

Ugh... It's been way too long since I've written anything but trust me, it's not for the lack of trying. It's March already and I don't even know what happened to February, let alone January. 2013 started off with a bang and it just keeps going. OK, I admit I have no clue what that's supposed to mean but it's late, I'm tired and my brain is fried so bear with me. I guess what I'm trying to say is that I've been extremely busy and thus neither had the time nor the energy to write anything. Some people blog all the time and make it seem effortless. Well, I'm not one of those people. There are quite a few different projects I would like to let you know about but this time I'm just going to mention a very special live event I was asked to photograph. Horse McDonald played the legendary Barrowlands in Glasgow last night accompanied by the Scottish Chamber Orchestra (conducted by Sally Herbert). The gig was flawless, electric and it was an absolute honour to have the opportunity to work alongside such talented people:

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As it happens, it wasn't the first time I worked with Horse. Last year we went with her band to Strachur to take some promotional images for the new album Home. It was a horrible day, most of the shoot was outdoors and it was raining but I somehow remember it very fondly and, more importantly, we managed to get some decent shots in the end:

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One of the main reasons the Strachur shoot is remembered so fondly by all involved is the hospitality with which we were received. The very talented Jacqueline Orr (whose paining is used on the cover of Horse's new album) was our host for the day and not only did she hold an umbrella over us when needed but also treated everyone to the most speculator feast - leg of lamb, champagne, wine, dessert, cheese, the works! This should be the rider for my photoshoots from now on: it's either lamb or I keep the lens cap on - blame Jacqueline! ;-)

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So that's that, first post of the year. Don't know if I should feel celebratory or embarrassed that it took me so long but here we are. Happy 2013 to all of you.