Keep The Flame Alight

One of my favourite projects of 2018 was working on Martha L. Healy’s sophomore album “Keep The Flame Alight”. The publicity images and the album cover, as well as music videos for album’s lead single “No Place Like Home” and its follow up “Keep The Flame Alight”, were all shot in Scottish countryside (Stirlingshire to be precise, “Keep The Flame Alight” was filmed at Dreamcatcher Cabins). I also designed the album packaging. If you’d like to catch Martha live, she will be opening for Jill Jackson in a couple of weeks at this year’s Celtic Connections (tickets here). I’ll be there and so should you cause both of these ladies rock. In the meantime, check out the video and some of the photos we took for this project:

Behind the scenes

Video filmed with Sony A7III + Sony 35mm f1.8
Metabones Nikon G to Sony NEX E-mount Converter
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Zhiyun Crane 2 Gimbal
Edited in FCPX

GEAR:
Nikon D4
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Neewer 120cm Octabox
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 

2018 Round Up

Well hello 2019. I’ve read enough short essays from various people on social media summarising their ‘18 so I’m going to spare you (and myself) another one. Instead, here are some of my favourite images I took in the past 12 months:

Frances Thorburn photographed on the set of “Love Is A Reason” music video for Caezar, January 2018

The Nighting Gals, February 2018

Eunice Olumide photographed for Nu Blvck, March 2018

Martha L. Healy’s “Keep The Flame Alight” album cover shoot, March 2018

Jill Jackson photographed on the set of “My Baby” music video, May 2018

Rab Noakes, July 2018

Rory Hutton, July 2018

Seafret, August 2018

Louise Rutkowski, August 2018

Cameron, October 2018

Jak, October 2018

Lauren Hutcheon, October 2018

From “Feral Ground” project with Grundvold, October 2018

Laura, November 2018

And, as always, here’s a round up of my favourite music from 2018:

ALBUMS OF 2018

Dirty Computer Janelle Monáe
Caution Mariah Carey
Isolation Kali Uchis
Honey Robyn
Golden Hour Kacey Musgraves
I Used To Know Her H.E.R.
Murmurations Simian Mobile Disco
Bloom Troye Sivan
Ella Mai Ella Mai

SONGS OF 2018

Butterflies Kacey Musgraves
Love That Makes You A Cup Of Tea Gretchen Peters
Make Me Feel Janelle Monáe
GTFO Mariah Carey
Missing You Robyn
Bloom Troye Sivan
Like Sugar Chaka Khan
After The Storm Kali Uchis
Tongue MNEK
Boys Lizzo
Hard Place H.E.R.

Feral Ground

I met Thomas Petersen, the Danish visual artist better known as Grundvold, a few years ago and we talked about doing a photography project ever since. We finally managed to get together this autumn and headed to Pollok Park to take some pictures. Shot on analog and digital, we called it “Feral Ground” and intended for it to be a commentary of sorts on toxic masculinity, the masculine/feminine, strong/vulnerable in all of us. Results below:

GEAR

Nikon D4
Nikkor 85mm f1.4
Profoto A1
Canon AE-1 Programme + 50mm f1.8
Kodak 400TX

Analog Photography

Digital photography didn't exist when my interest in taking pictures begun. I was 16 when my parents got me a second-hand Zenit 11, and in order to get my head around it, I enrolled in a photography workshop where l learned the basics of an SLR, as well as how to develop negatives and prints. My first digital camera was a Nikon D40 which I got on sale in 2009, and I've been shooting digital ever since. I love digital, I enjoy its flexibility, the control it gives over your files and the retouching process, as well as the speed.

Having said that, I've been missing shooting analog for some time. I feel like I second-guessed myself less when I shot film and was more confident in my abilities. Admittedly, I was a teenager then and that might've simply been the arrogance/ignorance of youth, but I felt drawn back to the days of shooting analog nevertheless. You can get really snap-happy with digital just because you can, rather than because you need each frame, so I wanted to remind myself of the discipline of shooting film where each shutter pressing matters, and where you don’t have the digital LCD screen on the back of your camera to double check the exposure. And so a couple of years ago I got a Canon AE-1 (with a 50mm f1.8 lens) on eBay and started shooting analog again. Not for commissioned stuff, cause that would be commercial suicide, but for personal projects, behind-the-scenes shots, friends and such. I've tried different films and fell back in love with Kodak (duh!) which is incidentally what I used to shoot all my black & white stuff on back in the 90s.

I don’t develop my own film or prints these days as I don’t have the time and, to be perfectly honest, don’t think I’d have the patience anymore. I’ve been using DS Colour Labs for that and they’ve been great. All in all, it’s been an educational and interesting return to basics for me, if frustrating at times. I’ve realised I shoot differently on analog, I even tend to frame images in a different way than on digital. Conversely, I’m not as trigger-happy when working with a digital camera now. I’ve actually got a couple of bigger 100% analog projects lined up at the moment, and I’m dying to get a Rolleiflex and try shooting medium format, but for the time being here are a few images taken on film over the past couple of years:

Rab Noakes & Jill Jackson

Rab Noakes is a legendary Scottish songwriter/performer and I photographed him this summer alongside Jill Jackson to promote their current tour together (you can check the dates and tickets here). We used Òran Mór and Ruthven Lane in Glasgow’s West End and you can see a few shots from that day below:

GEAR:
Nikon D4
Nikkor 50mm f1.4
Nikon SB-5000 Speedlight
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter
Neewer 120cm Octabox