Portrait

Analog Photography

Digital photography didn't exist when my interest in taking pictures begun. I was 16 when my parents got me a second-hand Zenit 11, and in order to get my head around it, I enrolled in a photography workshop where l learned the basics of an SLR, as well as how to develop negatives and prints. My first digital camera was a Nikon D40 which I got on sale in 2009, and I've been shooting digital ever since. I love digital, I enjoy its flexibility, the control it gives over your files and the retouching process, as well as the speed.

Having said that, I've been missing shooting analog for some time. I feel like I second-guessed myself less when I shot film and was more confident in my abilities. Admittedly, I was a teenager then and that might've simply been the arrogance/ignorance of youth, but I felt drawn back to the days of shooting analog nevertheless. You can get really snap-happy with digital just because you can, rather than because you need each frame, so I wanted to remind myself of the discipline of shooting film where each shutter pressing matters, and where you don’t have the digital LCD screen on the back of your camera to double check the exposure. And so a couple of years ago I got a Canon AE-1 (with a 50mm f1.8 lens) on eBay and started shooting analog again. Not for commissioned stuff, cause that would be commercial suicide, but for personal projects, behind-the-scenes shots, friends and such. I've tried different films and fell back in love with Kodak (duh!) which is incidentally what I used to shoot all my black & white stuff on back in the 90s.

I don’t develop my own film or prints these days as I don’t have the time and, to be perfectly honest, don’t think I’d have the patience anymore. I’ve been using DS Colour Labs for that and they’ve been great. All in all, it’s been an educational and interesting return to basics for me, if frustrating at times. I’ve realised I shoot differently on analog, I even tend to frame images in a different way than on digital. Conversely, I’m not as trigger-happy when working with a digital camera now. I’ve actually got a couple of bigger 100% analog projects lined up at the moment, and I’m dying to get a Rolleiflex and try shooting medium format, but for the time being here are a few images taken on film over the past couple of years:

Rab Noakes & Jill Jackson

Rab Noakes is a legendary Scottish songwriter/performer and I photographed him this summer alongside Jill Jackson to promote their current tour together (you can check the dates and tickets here). We used Òran Mór and Ruthven Lane in Glasgow’s West End and you can see a few shots from that day below:

GEAR:
Nikon D4
Nikkor 50mm f1.4
Nikon SB-5000 Speedlight
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter
Neewer 120cm Octabox

Throwback: Patricia Panther

Patricia Panther is a singer, songwriter, producer, actress and an all around badass. We've worked together on several occasions but this throwback post is about our first collaboration back in April 2013 where we spent a beautiful (albeit cold) afternoon and evening shooting in the ruins of St. Peter’s Seminary in Cardross (I’ve written before about my trips there). Huge thanks to Ryan Vance for assistance.

GEAR:
Nikon D700
Nikkor 50mm f1.4
Nikkor 24-70mm f2.8
Nikon SB-600 Speedlight
Lastolite 24” x 24” Softbox
Reflector

Behind the scenes photos by Ryan Vance:

Eunice Olumide

Eunice Olumide is a supermodel, broadcaster, curator and an MBE recipient (for her contribution to Arts, Broadcasting and Charity work). I had the pleasure of photographing her for a couple of campaigns by Nu Blvck earlier this year and I’m finally able to share some of these images (see below). Eunice has a new book out called "How To Get Into Fashion” and you can view (and purchase) Nu Blvck’s jewellery collection here.

Make Up: Jak Morgan
Styling: Laura Macintosh
Tote Bag Design: Alice Dansey-Wright
Jewellery: Ruth Leslie

IMG_0165.jpg
Eunice & Me

Eunice & Me

GEAR:
Nikon D4
Nikkor 50mm f1.4
1 x Bowens Gemini 500r with 150cm octabox
1 x Bowens Gemini 400rx with beauty dish
Reflector

Caezar

Caezar are Joe Donnelly and JJ Gilmour (former members of Scottish band The Silencers). Their debut album "Time" has just been released and I was lucky to work with them on promotional images as well as a music video for the album's second single "Love Is A Reason". The photoshoot took place on a rainy May day last year in Glasgow (huge thanks to Sarah Kesson for assistance). We wanted an urban, gritty feel to the images and Glasgow has plenty to offer in that respect.

The video was a different bag altogether. The band's brief was "black and white, weird and without us in it". I have to admit, I panicked a little - I had done 2 music videos by that point, both pretty much performance-based and I'd never written a treatment for one before. In fact, I almost said no to the project but I eventually had a moment of epiphany, got in touch with the amazing Frances Thorburn asking if she'd be interested in being involved. She said yes, as did Michelle Watson from Kitsch Me Vintage who provided custom headpieces, vintage dress and was in charge of hair and makeup on the day. Fran's spine-tingling performance is what truly makes this video and I can't thank her enough for agreeing to take part in it. We filmed most of it in my living room and in a back lane in Glasgow's Charing X area. There was some additional filming done all over the city centre from Fran's car on one very, very snowy night earlier this year. The visuals of Anton Corbijn were our reference point for both, the photography and the video. Check it all out below and if you'd like to catch the band live you're in luck Caezar are are playing Òran Mór in Glasgow on July 27th (you can get tickets here).

Caezar's debut album cover featuring a still from the video.

Caezar's debut album cover featuring a still from the video.

GEAR:
Nikon D4
Nikkor 50mm f1.4
Reflector
Video was filmed with Nikon D4 + 50mm f1.4 and a Neewer CN-216 LED Light and edited in FCPX.