Video

A Decade with Jill Jackson

In August 2010 I had my first photoshoot with Jill Jackson. I was working as a graphic designer at The Print Box at the time, and Jill was one of our clients. I worked on various posters and an EP for her and struck an e-mail friendship with Jill’s assistant at the time. I noticed that they kept using the same images for promo so I thought “what the hell” and suggested taking new photos of Jill. If they like them - great; if not, it would still be a great experience for me. I’ve been taking pictures since I was a kid, it’s always been a hobby of mine, so I sent a few examples of my past work and awaited a response. Luckily, Jill liked what she saw and agreed to do a session with me.

The first time Jill and I met in person was at King Tut’s where she was playing a gig. I didn’t really know what to expect from Jill or her music, but as I stood there watching her perform I could feel myself getting increasingly excited at the prospect of photographing her - you can’t fake that kind of stage presence and charisma. And I loved the songs too. We had a brief chat after the show and a week later we were doing the shoot.

A good friend of mine had a beautiful old house with a garden in Mount Vernon and that’s where that first session took place. My partner was helping with the lights and the three of us quickly bonded over our love for music and Kath & Kim (“Look at moiye, look at mooooiye!”). It marked the beginning of a years-long friendship and numerous other collaborations followed. We shot everywhere and all sorts; from abandoned jails to being knee-deep in freezing Loch Lomond; from album and magazine covers to concerts and music videos. Unwittingly, that first session with Jill would also be the start of my photography career as my work with her lead to commissions from other artists. In four years I would leave The Print Box to become a full-time photographer.

Whether there’s still a photography career for me to come back to after this pandemic remains to be seen. In the meantime, however, I thought it would be nice to celebrate this 10-year landmark by posting an image from every session/collaboration I’ve done with Jill so far - there are live shots (hers was the very first concert I ever photographed), some behind the scenes photos as well as outtakes and images that haven’t been published anywhere till now.

I need to come clean here though - a few of the earlier photos have been re-edited. There was some bad retouching and heavy-handed colour treatments that I couldn’t look at now. You live, you learn!

Which image is your favourite? Perhaps you attended some of the gigs? Let me know and enjoy:

“My Baby” music video, May 2018.

“Goodbye” music video, January 2019.

Carolina Crespo

Carolina Crespo is a designer and a dear friend of mine. Originally from Columbia, she’s lived in Glasgow for a few years now and is currently working on launching her luxury fashion brand. In aid of that, we took some photos and shot a video last autumn, results below:

GEAR:
Nikon D4
Nikkor 85mm f1.4
Profoto A1
Neewer 120cm Octabox


Video filmed with Sony A7III + Sony 35mm f1.8
and edited in FCPX

Navigate The Blood

I’ve worked with Noise Opera on a few different projects in recent years (you can read about one of them here) and each time it was a great experience filled with challenges as well as joy but their most recent production took it to another level. Composed by Admiral Fallow and Gareth Williams with a libretto by Siân Evans, “Navigate The Blood” is a modern opera set in the world of whisky and gin manufacturing and it toured Scottish distilleries this past November. Long rehearsal days, multitude of people involved, numerous performance venues, different lighting set ups, travel - the whole project was as intense and demanding as it was rewarding. Working behind the scenes on such productions is one of my favourite things to do - love seeing the creative process, how different performances develop over time and the ability to capture artists with their guards down. An incredibly talented group of people was involved in making this opera both on and off stage, and I couldn’t be happier to have been a part of it. I photographed and filmed the rehearsal process as well as several live performances and you can check it all out below:

“Navigate The Blood” film
featuring footage from rehearsals and live performances shot throughout October and November 2018:

Rehearsals:

Glasgow Distillery Dress Rehearsal + Live Performance:

Behind The Scenes:

Behind Behind The Scenes:

GEAR:
Nikon D4
Nikon D700
Nikkor 85mm f1.4
Nikkor 50mm f1.4
Nikkor 14-24mm f2.8
Nikkor 24-70mm f2.8

Sony A7III
Sony 35mm f1.8
Metabones Nikon G to Sony NEX E-mount Converter
Zhiyun Crane 2 Gimbal
Video edited in FCPX

Roseanne Reid

If you haven’t heard about Roseanne Reid so far that will probably change soon. She’s a a talented singer/sonwgwriter whose beautiful debut album “Trails” has just been released and there is a bit of a buzz about her in the Americana circles (having Steve Earle as your mentor and guest vocalist on the record doesn’t hurt the matter). I’ve worked with Roseanne on three promo videos for the album as well as some photography and you can check them out below:

“I Love Her So”
Filmed late November last year in Tentsmuir Forest on the East coast and features illustrations by Iona Lee as well as fan-supplied photographs:

“Amy”
A simpler affair shot during Roseanne’s performance and sound check at Saint Luke’s in Glasgow where she was the support slot for Blue Rose Code in March this year:

“Sweet Amy”
Filmed in Edinburgh late March:

In between takes for the “Sweet Annie” video I also managed to shoot a roll of film and take some portrait images of Roseanne:

Behind The Scenes:

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GEAR
Video filmed with Sony A7III + Sony 35mm f1.8
Nikkor 85mm f1.4
Metabones Nikon G to Sony NEX E-mount Converter
Zhiyun Crane 2 Gimbal
Edited in FCPX

Photography: Nikon FM + Nikkor-S 50mm f1.4
Kodak 400TX

Rory Hutton & The Royal Opera House

Last time I wrote about working with designer/illustrator Rory Hutton I mentioned we had some projects in the pipeline. One of them was a video highlighting designs for Rory’s collaboration with The Royal Opera House (you can find more information about this collection here). We wanted to create a short behind the scenes film depicting a design’s journey, from research and conception to execution and sale. We shot the video in Rory’s studio in South Block and you can check it out below:

And here are some portrait shots of Rory taken last summer in his apartment:

Behind the scenes of the video:

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GEAR:
Nikon D4
Nikkor 50mm f1.4
Nikon SB-5000 Speedlight
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 
Neewer 120cm Octabox
Reflector

Video shot with Sony A7III + Sony 35mm f1.8
Nikkor 85mm f1.4
Metabones Nikon G to Sony NEX E-mount Converter
Zhiyun Crane 2 Gimbal
Edited in FCPX