Dunt

I’ve known Samson, aka Dunt, for many years - he plays drums for Horse whom I collaborate with frequently. He’s also a brilliant producer in his own right, however, and last summer we took some promo images for him at Dry Docks in Govan. It was a very simple affair, just the two of us and a camera, have a look:

GEAR
Nikon D850 + Nikkor 85mm f1.4
Tiffen Black Pro-mist 1/4 Filter

Rory Hutton

I love Rory Hutton's designs - I own one of his beautiful bow ties and I'm planning on expanding that collection. There are exciting things happening for him and we've got some projects in the pipeline together. In the meantime, however, you can have a look at some of the portraits of Rory I took last summer. 

GEAR:
Nikon D4
Nikkor 50mm f1.4
Nikon SB-5000 Speedlight
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 
Beauty Dish
Reflector

Liam Doyle

Liam Doyle is a young singer-songwriter from Scotland. We recently did a shoot together and here are a few images from it:

Paul Thomas Bell

I met Paul Thomas Bell, an award-winning blogger/writer/presenter, and an all-around renaissance man a couple of months ago for coffee after a few exchanges on Instagram. We chatted about how we got to do what we do for a living, about the world of social media, photography, music and everything else in between. We've also agreed that we should work together at some point and we finally managed to meet again last month and take some pictures. See the results below. 

GEAR:
Nikon D4
Nikkor 50mm f1.4
Nikon SB-5000 Speedlight
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 
Beauty Dish
Reflector

Sean Kennedy

Sean Kennedy is an up and coming Scottish singer-songwriter with whom I did a shoot last summer (you can read about it here). The results of that first session ended up on the cover of his debut EP "Love Don't Live Here" (as seen here) and I was looking forward to working with him again. This time it was an indoors shoot and we used Contrast Studio in Glasgow's city centre. Since the studio we used had plenty of natural light and it was a beautiful, late spring evening (something you don't get in Glasgow that often) we decided to split the shoot into 2 sections - one for shots with available light only and another using studio lighting. Huge thanks to Laurabelle, my light assistant supreme.