Lifestyle

Cristina Prelle

Cristina Prelle specialises in high end textile restoration and I had the pleasure of working on promotional photography and video for her. Have a look below:

GEAR

Nikon D850 + Nikkor 85mm f1.4
Neewer 120cm Octabox
Profoto A1
Profoto Air Remote TTL-N for Nikon
Reflector

Video filmed with Sony A7III + Sony 35mm f1.8 and edited in FCPX
Neewer CN-216 LED Light

FujiFilm x100v

Thoughts on FujiFilm X100v Camera

My name is Kris and I am a lazy photographer. What I mean by that is that I’ve never been the type of photographer who carries a camera everywhere they go, taking pictures of anything and everything. I’ve always admired such people, I’m just not one of them. I value comfort and practicality above all else. See? Lazy. When I started taking photos, it was with a Zenit 11 and that camera is built like a Soviet tank, not exactly a “throw-in-your-pocket” type of equipment (although it could certainly double as a weapon if one had to defend themselves). In recent years, with photography becoming my full-time job, I’ve worked with various Nikon DSLRs - D700, D4, D850 - but these are expensive cameras to be carrying around and not exactly light or compact either. I’ve realised, however, that I missed taking snaps of my friends or of places I was visiting. I’d usually use my iPhone for that but it never feels right for me, no matter how great the phone cameras are these days. And this is what brought me to the FujiFilm x100 series.

I’d been watching various YouTube videos about these cameras, reading reviews, checking prices on eBay, and last year I eventually bit the bullet and bought the then recently released x100v model. First of all, it’s beautiful. I often feel that in the digital age the aesthetics of a camera are the last to be considered. I realise that what a camera looks like isn’t of utmost importance for most, and I’m not too bothered about it either when it comes to the equipment I use for work (the Nikons aren’t exactly ugly but they won’t be winning beauty contests anytime soon). However, if I’m going to carry a camera with me every day, I want it to be compact, practical, and, yes - pretty. And the old-school, analog-borrowed look of the whole x100 series is really lovely (I went for the silver model). As for the performance, I’ve been shooting with x100v for almost a year now, always have it in my bag, and I really love it - it definitely exceeded my expectations when it comes to image quality and it also brought back the joy of taking photos just for fun, without overthinking. I’ve got it set on Aperture priority and don’t worry about much else. I mainly use it for personal things: meeting friends, traveling, behind the scenes, etc, but I’ve also occasionally taken it out on work shoots and ended up with decent results. All in all, I’m super happy with it, and here are some examples of snaps I’ve taken with the FujiFilm x100v so far:

Guest Editorial

I love Barbra Kolasinski’s work and was delighted to be asked to photograph her new collection “Guest”. I don't shoot a lot of fashion for a variety of reasons (lack of budgets, unpleasant individuals, etc). Still, I’m super happy when the right opportunity with the right people presents itself. For this project, Barbra put together an absolutely stellar team of not only talented but also genuinely nice creatives (check credits below).

We shot this collection at The Pyramid, a brilliantly bonkers, Brutalist, B-listed building in the middle of Anderston which now serves as a community centre. Despite many people involved and a variety of clothes and looks to get through, the whole thing went super smoothly and was actually a lot of fun. Long hours and cold be damned if you’ve got a great team you’re working with! Barbra wanted something weird and not traditionally “pretty” - thus weird poses, setups and ambiguity. This turned out to be probably the biggest editorial I’ve done so far and I couldn’t be happier. Check it out below:

Clothes + Styling: Barbra Kolasinski
Model: Erin Lathangie / Colours
Make Up: Sara Hill
Hair: Rochelle Jolley
Set: Flowers Vermilion
Videographer: Bob Rafferty

Behind the scenes:

GEAR
Nikon D850 + Nikkor 50mm f1.4
Profoto A1 x 2
Profoto Air Remote TTL-N for Nikon
Neewer 120cm Octabox
Reflector

Dog Digital

There are several interesting things about this particular shoot but none more so than the fact these images were taken late February in Glasgow - scroll down, have a look and call me a liar, I won’t blame you. But it was full on sun, clear blue skies, the works. Sometimes you just get lucky (or it’s global warming). Either way, the shoot was for Dog Digital, an award winning marketing agency based in Glasgow’s city centre. They were looking for portrait images of some members of their team and wanted a contemporary, urban feel with the city of Glasgow as the backdrop. The challenge was to feature the city but without making it too obvious so we focused on lines, textures and angles. Kirsty and Stuart from I’ll Be Your Mirror were in charge of styling the shoot (and, as ever, were a dream to work with) and Beccy Goldinger took care of hair and make up. The shoot was long and took 3 days to complete but it was actually very relaxed and fun. It’s always easy when you work with nice people. Check some of the images below:

Behind the scenes:

GEAR
Nikon D850
Nikkor 50mm f1.4
Nikkor 14-24mm f2.8
Nikkor 24-70mm f2.8
Profoto A1 + Air Remote TTL-N for Nikon
RoundFlash Beauty Dish


Carolina Crespo

Carolina Crespo is a designer and a dear friend of mine. Originally from Columbia, she’s lived in Glasgow for a few years now and is currently working on launching her luxury fashion brand. In aid of that, we took some photos and shot a video last autumn, results below:

GEAR:
Nikon D4
Nikkor 85mm f1.4
Profoto A1
Neewer 120cm Octabox


Video filmed with Sony A7III + Sony 35mm f1.8
and edited in FCPX