The Scullery Bar & Kitchen

The Scullery is one of those places which despite having been open for only a few months already feels like a staple of Finnieston life. Maybe it's just because I visit it so frequently - it's practically on my door step, I'm in love with the decor and it doesn't hurt that their food is really good. I was first asked to photograph their interiors early summer last year when it was all still work in progress. I've since been back to capture the restaurant in its full, finished glory. Have a look at some of the before and after shots below and make sure to stop by if you happen to be in Finnieston area.

The Scullery Bar & Kitchen
10 Claremont Street
Glasgow G3 7HA

2015 Kick Off

Happy New Year to the 3 people who will read this, I'll take quality over quantity anytime though so I'm not complaining. 2014 was a hell of a ride for me on every level and I'm emotionally exhausted - family festivities over the Christmas period knocked out whatever energy I may have had left and now I'm flat on the floor trying to resuscitate myself (if you didn't know me you might think I've got a flare for drama and exaggeration...). So what now? Well, like in AA, I'm going to take it one step at a time - start with finishing this blog entry for example and then put my business cap on. Speaking of which, can anybody lend me one? I can take a pretty picture once in a while but I'm totally hopeless at the enterprise side of things. I guess if there's one resolution for 2015 it would be to strengthen the business side of what I do. Actually, it's not so much a resolution - it's more of a necessity really cause boy's gotta eat. And this boy likes to eat well! So I'll drink to that and leave you with a collage of some of my favourite shots from 2014:

St. Peter's Seminary

I love shooting outdoors, am always looking for new, unusual or in any way exciting places to use as a setting and it rarely gets more exciting than the ruins of St. Peter's Seminary in Cardross. I'd read about it online and one day in the summer of 2011, singer Jill Jackson (ex Speedway), her assistant and myself went onto an exploratory trip which eventually turned into an impromptu photoshoot. We found the place to be creepy as hell, we bumped into a couple of Japanese tourists bizarrely (you won't find these ruins in your travel book, trust me) but more importantly it also turned out to be an endless photo opportunity. I've been back several times since then, most recently in May with a shoot for Channel 4, and while the place is getting more and more difficult to access it never fails to deliver and despite my numerous visits I still feel there's more to see there. Here are some images from shoots I've had there over the years:

Jill Jackson

Jil Jackson

Scott Charles

Scott Charles

Patricia Panther

Patricia Panther

Channel 4

Channel 4

Old Hollywood

I've always been obsessed with portraits from the Golden Age of Hollywood, especially the ones taken before World War II broke. I remember cutting out those Dietrich head shots by Don English or numerous publicity stills taken by George Hurrell from newspapers and magazines whenever there was an article on stars or films from that era. Sure, more often than not they were the results of painful sittings with subjects who were contractually obliged to have their shots taken by this or that particular photographer whether they approved of them or not and the end results were retouched to within an inch of their life (I find it funny when people go on about Photoshopping these days as if retouching was the digital age's invention) but when you look at those images today you cannot deny the fact that they are timeless. They will never age and they also seem to have a certain air of melancholy about them. I think my preoccupation with that particular style of photography can be seen in my work at times - the shadows, rich blacks, the drama, use of wide apertures, etc. It's not necessarily something I do consciously  - it just happens to be the kind of aesthetic I'm drawn to. I've always wanted however, to do a shoot that would directly pay homage to that era and this summer I was finally given an opportunity to do so.

I've written previously about the amazing Christine Bovill and her Piaf show at last year's Fringe Festival in Edinburgh and this July I was asked to take some publicity shots specifically to promote her Piaf performances - perfect opportunity to indulge my vintage Hollywood glamour obsession. The super-talented Caroline Stewart was in charge of hair and make up and here's a sample of what we managed to create:

At some point during the session I asked Christine to sing a song in order to get a few performance-like shots. After a few spine-tingling verses sung A capella in French, Caroline was reduced to tears. If you've not been as lucky and haven't had the chance to hear Miss Bovill live I urge you to do so immediately - she currently has a residency at Swing on Hope Street in Glasgow and you can see her perform live with The Shiverin' Sheiks every Thursday. Oh, it's free too!

I'm leaving you with a couple of images of a more dressed-down version of Christine take that same day:

New & Old Beginnings

Uhm, yeah, so I have no clue what happened to me and the whole idea of rebooting this blog, i.e. writing regularly. You know, like maybe more than once in 6 months. It's been a weird year so far though, both personally and professionally, so sitting down and writing about pretty pictures wasn't at the height of my priorities. Anyways, onwards and upwards and since photography has recently officially become my sole source of income and full-time occupation I should hope I'd be able to blog about it more regularly. Famous last words, right? Anyways, since this is a new beginning of sorts for me I thought it would only be fitting to talk about my actual photographic roots and I've recently found a picture that might be a great illustration of this:

This is my younger sister Ania, victim of many photographic experiments since her early years. I'm pretty sure this was around 1992 so I would've been 12 - 13 years old and as you can see this was a high concept shoot - set decoration included exotic plant and the subject's hair was styled on Lisa Stansfield during her "All Around The World" phase. The camera was a semi-automatic Samsung if I'm not mistaken and some basic Kodak film was used. And of course, we need to give a special mention to the innovative use of white background here. The point is, I clearly didn't have the tools and knowledge to execute what I had in mind but the concept was there. I'd like to think I've come a long way since then but the truth of the matter is I still quite often feel like I'm basically winging it.

The aforementioned Samsung camera got eventually stolen and to replace it my parents got me a proper SLR, a second-hand Zenit 11, and that's when I got a bit more serious about photography - learned how to develop film, prints, etc. I've still got that Zenit kicking about: