Portrait

Throwback: Patricia Panther

Patricia Panther is a singer, songwriter, producer, actress and an all around badass. We've worked together on several occasions but this throwback post is about our first collaboration back in April 2013 where we spent a beautiful (albeit cold) afternoon and evening shooting in the ruins of St. Peter’s Seminary in Cardross (I’ve written before about my trips there). Huge thanks to Ryan Vance for assistance.

GEAR:
Nikon D700
Nikkor 50mm f1.4
Nikkor 24-70mm f2.8
Nikon SB-600 Speedlight
Lastolite 24” x 24” Softbox
Reflector

Behind the scenes photos by Ryan Vance:

Eunice Olumide

Eunice Olumide is a supermodel, broadcaster, curator and an MBE recipient (for her contribution to Arts, Broadcasting and Charity work). I had the pleasure of photographing her for a couple of campaigns by Nu Blvck earlier this year and I’m finally able to share some of these images (see below). Eunice has a new book out called "How To Get Into Fashion” and you can view (and purchase) Nu Blvck’s jewellery collection here.

Make Up: Jak Morgan
Styling: Laura Macintosh
Tote Bag Design: Alice Dansey-Wright
Jewellery: Ruth Leslie

IMG_0165.jpg
Eunice & Me

Eunice & Me

GEAR:
Nikon D4
Nikkor 50mm f1.4
1 x Bowens Gemini 500r with 150cm octabox
1 x Bowens Gemini 400rx with beauty dish
Reflector

Caezar

Caezar are Joe Donnelly and JJ Gilmour (former members of Scottish band The Silencers). Their debut album "Time" has just been released and I was lucky to work with them on promotional images as well as a music video for the album's second single "Love Is A Reason". The photoshoot took place on a rainy May day last year in Glasgow (huge thanks to Sarah Kesson for assistance). We wanted an urban, gritty feel to the images and Glasgow has plenty to offer in that respect.

The video was a different bag altogether. The band's brief was "black and white, weird and without us in it". I have to admit, I panicked a little - I had done 2 music videos by that point, both pretty much performance-based and I'd never written a treatment for one before. In fact, I almost said no to the project but I eventually had a moment of epiphany, got in touch with the amazing Frances Thorburn asking if she'd be interested in being involved. She said yes, as did Michelle Watson from Kitsch Me Vintage who provided custom headpieces, vintage dress and was in charge of hair and makeup on the day. Fran's spine-tingling performance is what truly makes this video and I can't thank her enough for agreeing to take part in it. We filmed most of it in my living room and in a back lane in Glasgow's Charing X area. There was some additional filming done all over the city centre from Fran's car on one very, very snowy night earlier this year. The visuals of Anton Corbijn were our reference point for both, the photography and the video. Check it all out below and if you'd like to catch the band live you're in luck Caezar are are playing Òran Mór in Glasgow on July 27th (you can get tickets here).

Caezar's debut album cover featuring a still from the video.

Caezar's debut album cover featuring a still from the video.

GEAR:
Nikon D4
Nikkor 50mm f1.4
Reflector
Video was filmed with Nikon D4 + 50mm f1.4 and a Neewer CN-216 LED Light and edited in FCPX.

Rory Hutton

I love Rory Hutton's designs - I own one of his beautiful bow ties and I'm planning on expanding that collection. There are exciting things happening for him and we've got some projects in the pipeline together. In the meantime, however, you can have a look at some of the portraits of Rory I took last summer. 

GEAR:
Nikon D4
Nikkor 50mm f1.4
Nikon SB-5000 Speedlight
PocketWizard FlexTT5 Transceiver
PocketWizard MiniTT1 Transmitter 
Beauty Dish
Reflector

Horse - Careful

Horse McDonald is a legend and a recent recipient of DIVA Magazine's Hall of Fame Award. Working with Horse is always a pleasure and we've done several different projects together over the years but the publicity images for her critically-acclaimed one-woman play "Careful" are definitely among my favourites. Shot on a cold winter day at Britannia Panopticon, the world's oldest surviving music hall, it was a very low key affair - just us, lovely Marta on makeup duties and a reflector. The play, written by Lynn Ferguson and directed by Maggie Kinloch, is a brutally honest, and at times painful story of identity struggle and self-acceptance and our goal for the promo images was to capture the intensity and intimacy of the performance. Peter Lindbergh, as well as old Hollywood photography from the 1940s, were our points of reference:

Behind the scenes:

And here are some photos taken during the play's run in Glasgow's Tron Theatre: